Festival da Canção | |
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Genre | Pop music etc. |
Location(s) | Portugal |
Years active | 1964–present |
Founded by | Rádio e Televisão de Portugal (RTP) |
Website | |
Festival da Canção Official Site |
Festival da Canção or Festival RTP da Canção is the name given to the national festival, produced and broadcast by Rádio e Televisão de Portugal (RTP) to choose the Portuguese entry for the Eurovision Song Contest. It was first held in 1964.
Like most pop festivals in isolated countries, it was a very important event for the still incipient music industry of the 1960s and 1970s. Left-wing composers and writers would try to squeeze subversive lyrics in the contest, with great effect. After the 1974 revolution, incidentally code-triggered by that year's winner being played on national radio, Portugal became increasingly open to foreign culture, thus deeming the Festival as a lesser musical event, dominated by below-standard pop songs with little or no impact in the industry, although remaining a popular TV show.
The 1990s saw a recovery of the contest's image, then considered a viable means for a new singer to start a career. Internationally acclaimed Portuguese singers Dulce Pontes and Sara Tavares made their debut in the 1991 and 1994 editions, respectively. Many other unknown performers like Lucia Moniz and Anabela leaped to national stardom after taking the RTP trophy.
After reaching an all-time high 6th place in the 1996 edition of the Eurovision Song Contest, the festival steadily declined from then on. In 2000, the winner Liana did not participate in the Eurovision Song Contest 2000, as Portugal had for the first time been relegated due to consecutive poor showings. In 2002, the Festival da Canção wasn't organized, contradicting the tradition of staging a Festival da Canção even without participating in that year's Eurovision Song Contest, as happened in 2000 and 1970. Since 2001, the festival saw consecutive changes of format. 2005 saw RTP commissioning a song for Eurovision, rather than organizing some kind of competition.
Since 2006 RTP seemingly settled for a traditional multi-singer, multi-composer competitive format, claiming the memory of older contests and songs. Producers have since been invited to come up with songs, lyrics and singers, and the 2007 result with Sabrina almost making it to the Eurovision final, gave RTP the necessary confidence to maintain the current format. In 2009, an open call for songs was held by RTP, abolishing the invited producers method, with online voting deciding the qualifiers to the televised final from a list of 24 songs, with 12 competing in the live contest.