Fathers and Sons | ||||
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Studio album / Live album by Muddy Waters | ||||
Released | August 1969 | |||
Recorded | April 21–23, 1969 at Tel Mar Studios in Chicago, Illinois April 24, 1969 at the Super Cosmic Joy-Scout Jamboree in Chicago, Illinois |
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Genre | Chicago blues | |||
Length | 64:32 | |||
Label | Chess | |||
Producer | Norman Dayron | |||
Muddy Waters chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Rolling Stone | favorable |
Fathers and Sons is the seventh studio album by American blues musician Muddy Waters, originally released as a double LP by Chess Records in August 1969.
The album features both studio and live recordings recorded in April 1969 with an all-star band including Michael Bloomfield and Paul Butterfield of the Paul Butterfield Blues Band, Donald "Duck" Dunn of Booker T. & the M.G.'s, Otis Spann, and Sam Lay in Chicago, Illinois.
The album was Muddy's biggest mainstream success, reaching #70 on the Billboard 200, which was his only appearance in the top half of the chart. Muddy would not make another appearance on the 200 until Hard Again in 1977.
According to Marshall Chess, the idea behind Fathers and Sons came when Mike Bloomfield was at his house and said that he and Paul Butterfield wanted to do an album with Muddy Waters because they would be in Chicago for a charity concert. Chess then rounded up Donald "Duck" Dunn, Otis Spann, and Sam Lay for the studio sessions.
While many blues purists criticized the Waters "psychedelic" album Electric Mud at the time, Fathers and Sons was received more favorably since it avoided psychedelia, instead showcasing the "classic" Waters sound of the 50's. In many ways, the album anticipated the later, critically acclaimed Waters blues albums produced by Johnny Winter.
The studio disc of the album was recorded in April 21–23, 1969 at Ter Mar Studios. These sides were engineered by Ron Malo and featured rhythm guitarist Paul Asbell, who did not play on the live songs.