Fascination: Portrait of a Lady

Fascination: Portrait of a Lady
Theatrical poster for Fascination: Portrait of a Lady (1977) Caption: "The fair skin of a modest woman. Coyness and pain gradually open the flower of pleasure!"
Directed by	Kōyū Ohara
Produced by	Yoshiki Yūki
Written by	Oniroku Dan Seiji Matsuoka
Starring	Naomi Tani Yuko Asuka Minoru Ōkochi
Music by	Cosmos Factory
Cinematography	Shōhei Andō
Edited by	Atsushi Nabeshima
Distributed by	Nikkatsu
Release date	October 1, 1977
Running time	66 min (1.10 h)
Country	Japan
Language	Japanese

Fascination: Portrait of a Lady (幻想夫人絵図, Gensō fujin ezu) is a 1977 Japanese film in Nikkatsu's Roman porno series, directed by Kōyū Ohara and starring Naomi Tani. Known for an ability to direct well in many genres, it was the pop-art-influenced Ohara's first true S&M film.

Hisako Ōuchi (Naomi Tani) is the sexually-frustrated wife of the older art academy Professor Ōuchi (Minoru Ōkochi). Ōuchi is a repressed conservative who disdains modern art, and expels Kazuo Kobayashi (Tachiki Bessho), a student who specializes in SM painting. Hisako becomes obsessed with the expelled student, and has an affair with him. Kazuo and Hisako retire to a cabin in the countryside where they indulge in SM activities.

Director Kōyū Ohara had directed films at Nikkatsu in various genres, in his experimental, pop-art influenced style, earning him the nickname "King of Pop Art Porn". Though he had included some SM themes in earlier films, Fascination: Portrait of a Lady was his first true SM film. The script was written by Naomi Tani's frequent collaborator, the noted SM-author Oniroku Dan.

Of his intent in the film, Ohara said, "It represents Japanese stylistic elegance. Needless to say, Naomi Tani's beauty is an integral part of the film, but I totally devoted myself to capturing Dan's luxurious S&M world through art... by placing small art objects throughout the film."

In his article "The Films of Koyu Ohara", Graham Lewis notes that Naomi Tani gives a typically excellent performance in the film. He writes that the scene in which Tani proudly displays her new rope tattoo is "both heartbreaking and liberating". "Just with her eyes", Lewis writes, "she conveys all the sadness/excitement and horror/delight of a woman caught in an emotional and sexual whirlwind. Of director Ohara's work, Lewis comments, "Overall, the film looks great. The lighting, widescreen compositions, and editing are all pretension free, but artistic nonetheless. With this first SM film, Ohara had already revealed himself to be a master filmmaker as well as a master pervert."