Ethnic Notions
| Ethnic Notions | |
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| Directed by | Marlon Riggs |
| Produced by | Marlon Riggs |
| Narrated by | Esther Rolle |
| Distributed by | California Newsreel |
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Release date
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Running time
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56 minutes |
| Country | United States |
| Language | English |
Ethnic Notions is a 1987 documentary film directed by Marlon Riggs. It examines anti-Black stereotypes that permeated popular culture from the ante-bellum period until the advent of the Civil Rights Movement of the 1960s.
Ethnic Notions takes viewers on a disturbing voyage through American history, tracing for the deep-rooted stereotypes which have fueled anti-Black prejudice. Through these images we can begin to understand the evolution of racial consciousness in the United States.
Ethnic Notions exposes and describes common stereotypes (The Tom, The Sambo, The Mammy, The Coon, The Brute, The Pickaninnies, The Minstrels) from the period surrounding the Civil War and the World Wars. The stereotypes roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, even children's rhymes. Narration by Esther Rolle and commentary by respected scholars [Barbara Christian, UC Berkeley; Pat Turner, University of Massachusetts, Boston; George Fredrickson, Stanford University; Leni Sloan: choreographer; Carlton Moss: University of California, Irvine] shed light on the origins and devastating consequences of 150 years of these dehumanizing caricatures.
The documentary touches upon issues of servility, sexuality, appearances, the "noble" savage, and most evidently the impact of mass media on the image of the African Americans—especially the exaggerated physical image of a very dark person, with very bright large lips, very white eyes and large unkempt hair—and how this affects the self-image of the African American. The insidious images exacted a devastating toll on Black Americans and continue to undermine race relations.
Ethnic Notions has become a mainstay of university, high school, and public library collections and the most widely seen of Marlon Riggs’ work. It won an Emmy Award in 1988.
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