Ernst Bacon | |
---|---|
Born |
Ernst Lecher Bacon May 26, 1898 Chicago, Illinois, U.S. |
Died | March 16, 1990 Orinda, California, U.S. |
(aged 91)
Occupation | Composer, pianist and conductor |
Ernst Lecher Bacon (May 26, 1898 – March 16, 1990) was an American composer, pianist, and conductor. A prolific author, Bacon composed over 250 songs over his career. He was awarded three Guggenheim Fellowships and a Pulitzer Scholarship in 1932 for his Second Symphony.
Ernst Bacon was born in Chicago, Illinois, on May 26, 1898 to Maria von Rosthorn Bacon (sister of Alfons von Rosthorn and Arthur von Rosthorn) and Dr. Charles S. Bacon. At the age of 19, he enrolled at Northwestern University where he pursued a degree in mathematics. After three years of study, he moved to the University of Chicago. Bacon finished his education at the University of California at Berkeley, where he received a master's degree for the composition of The Song of the Preacher in 1935.
At the age of 19, Bacon wrote a complex treatise entitled "Our Musical Idiom," which explored all possible harmonies. However, when he began to compose music in his 20s, he rejected a purely cerebral approach. He took the position that music is an art, not a science, and that its source should be human and imaginative, rather than abstract and analytical. Bacon was self-taught in composition, except for two years of study with Karl Weigl in Vienna, Austria. Experiencing the depression of post-war Europe first hand, he understood that the avant-garde movement reflected the pessimism of its origins. Bacon set out instead to write music that expressed the vitality and affirmation of his own country.
He created more than 250 art songs, including chamber, orchestral, and choral works. Aside from his musical and literary composition, Bacon held a number of positions that took him across the country. From 1925-28, Bacon was an opera coach at the Eastman School of Music. In 1928 Bacon traveled from New York to California to take up a position at the San Francisco Conservatory of Music where he served until 1930. In 1935, Bacon was the guest conductor at the first Carmel Bach Festival in California. A year later he was supervising the Works Progress Administration (WPA) Federal Music Project and conducting the San Francisco Symphony.