Ernest van Dyck

Ernest van Dyck (2 April 1861 – 31 August 1923) was a Belgian dramatic tenor who was closely identified with the Wagnerian repertoire.

A native of Antwerp where he was educated in a Jesuit school, van Dyck studied both law and philosophy in Leuven before deciding to become an opera singer. The notary under whom he was studying introduced him to the conductor Joseph Dupont. He became a journalist, working for 'l'Escaut' in Antwerp and 'la Patrie' in Paris.

From his arrival in Paris and debut at the Concerts Lamoureux in the first act of Tristan und Isolde he studied with Chabrier and became a close friend of the composer. The singer repaid Chabrier by advocating for performances of his operas in Karlsruhe and other places where he appeared. During the years appearing at the Lamoureux concerts, Van Dyck sang in La Damnation de Faust, fragments from Sigurd, Tristan und Isolde, Die Walkyrie, Les Sept péchés capitaux of Goldschmidt, and the premiere of le Chant de la Cloche by Vincent d'Indy.

In Paris he studied singing with Saint-Yves Bax before making his stage debut at the Théâtre Éden on 3 May 1887; the occasion marked the French premiere of Lohengrin. Intensive study with Felix Mottl followed before he appeared as Parsifal at the Bayreuth Festival in 1888, with great success. The intensity of his acting was praised in particular and he was invited back to Bayreuth on repeated occasions, where he became a proponent of the Sprechgesang style of operatic vocalism.

The Vienna Opera soon engaged him, and he remained with the company for a decade, during which time he created the title-role in Massenet's Werther (16 February 1892). He also made guest appearances throughout Europe; among these, he featured in the world premiere of Wilhelm Kienzl's Der Evangelimann in London in 1897. Van Dyck made his American debut on 29 November 1898, singing Tannhäuser at the Metropolitan Opera. He stayed in New York City until the 1901-02 season, singing not only Wagner roles but also parts in French operas. Having made his debut at Covent Garden in 1891, in 1907 he undertook a season of German opera there. In 1914 he appeared in the first Parisian performances of Parsifal. For the Musica journal, n° 13, October 1903 he wrote an article on 'Richard Wagner et l’interprétation'.

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