Ernest McLean | |
---|---|
Born |
New Orleans, Louisiana, United States |
March 23, 1925
Died | February 24, 2012 Los Angeles, California, US |
(aged 86)
Genres | Blues, New Orleans, Jazz |
Occupation(s) | Musician |
Instruments | |
Years active | 1945–2010 |
Associated acts | Dave Bartholomew, Harold Battiste, Earl Bostic, Fats Domino, Herbert Hardesty, Screamin' Jay Hawkins, Dr. John, Smiley Lewis, Earl Palmer, Lloyd Price, Little Richard, Shirley and Lee |
Ernest J. McLean (March 23, 1925 – February 24, 2012) was an American rhythm and blues and jazz guitarist.
McLean was born in New Orleans, the son of musician Richard McLean, who played banjo in a government music project band, and his wife Beatrice. He began learning guitar at the age of 11 and after the end of World War II, he joined Dave Bartholomew's band. The band featured drummer Earl Palmer and saxophonists Lee Allen, Herb Hardesty and Red Tyler, and became the best-known in New Orleans. They performed on many recordings, notably those made at Cosimo Matassa's studio. In the late 1940s and early 1950s, McLean was featured on many of the most successful and influential recordings of the era, including Fats Domino's "The Fat Man", Lloyd Price's "Lawdy Miss Clawdy", and recordings by Shirley and Lee, Little Richard and Smiley Lewis.
Described by Cosimo Matassa as "almost a total introvert", McLean was considered by many the best guitarist ever produced in New Orleans. Red Tyler said "None of the other guitarists came even close to Ernest McLean.... [He] was by far the best musician in Dave Bartholomew’s band.... one of the few musicians I knew that spent ten or eleven hours a day practicing. He helped found the Fats Domino sound. "
In the late 1950s, encouraged by his friend Scatman Crothers, McLean followed bandmate Earl Palmer to Los Angeles, where he began working in Earl Bostic's band. In the early 1960s he was directly hired by Walt Disney to perform at Disneyland. There he played jazz standards, and regularly performed in the New Orleans Square for the next 35 years. He also played on occasional recording sessions, for Lou Rawls, Sonny and Cher, Screamin' Jay Hawkins and others, most notably featuring on Dr. John's debut album Gris-Gris, recorded in 1967, on which he played guitar and mandolin, an instrument he had never previously played.