Eric Stanton
| Eric Stanton | |
|---|---|
Eric Stanton, circa late 1950s, early 1960s
|
|
| Born | Ernest Stanzoni September 30, 1926 New York City, New York, United States |
| Died | 17 March 1999 (aged 72) United States |
| Nationality | American |
| Area(s) | Writer, Penciller, Inker |
|
Notable works
|
Bondage and fetish illustration |
Eric Stanton (September 30, 1926 – March 17, 1999; born Ernest Stanzoni) was an American bondage and fetish illustrator, cartoonist, and comic-book artist.
The majority of his work depicted female dominance scenarios.
Stanton was born and raised in New York City. In 2013, comics historian Ger Apeldoorn uncovered a military-themed daily panel, Tin Hats, distributed by the Bell Syndicate, credited simply "Stanton" but bearing a signature matching that found on Stanton's later work. It was syndicated from July 27, 1942 to November 18, 1944, beginning when Stanton was not quite 16. In 1948 and 1949, he was an art assistant to Boody Rogers on Sparky Watts for Columbia, or Babe for Prize Comics, supplying plot ideas. He began specializing in erotic bondage comics, which publisher Irving Klaw ran in his magazine Movie Star News. He then attended the Cartoonists and Illustrators School from 1954 to 1956, studying under comics artist Jerry Robinson and others. One classmate was future Spider-Man co-creator Steve Ditko. Another was Gene Bilbrew, whom he introduced to Klaw.
From 1958 to either 1966 or 1968 (accounts differ), Stanton shared a Manhattan studio at 43rd Street and Eighth Avenue with noted comic book artist Steve Ditko. When either artist was under deadline pressure, it was not uncommon for them to pitch in and help the other with his assignment. Ditko biographer Blake Bell, without citing sources, said, "At one time in history, Ditko denied ever touching Stanton's work, even though Stanton himself said they would each dabble in each other's art; mainly spot-inking", and the introduction to one book of Stanton's work says, "Eric Stanton drew his pictures in India ink, and they were then hand-coloured by Ditko". In a 1988 interview with Theakston, Stanton recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands".
...
Wikipedia