Epiphone Supernova

Manufacturer	Epiphone
Period	1959 - 1970
Body type	Semi-hollow
Neck joint	Set
Scale	24.75 in (629 mm)
Body	Laminated Maple
Neck	Mahogany
Fretboard	Rosewood
Bridge	Tune-o-matic
Pickup(s)	2 New York mini-humbuckers
Natural, Sunburst, Cherry

Manufacturer	Epiphone
Period	1986-present
Body type	Semi-hollow
Neck joint	Set
Scale	24.75"
Body	Laminated Maple
Neck	three piece maple
Fretboard	Rosewood
Bridge	Fixed
Pickup(s)	2 Humbuckers
Ebony, Natural, Vintage Sunburst

The Epiphone Sheraton is a thinline semi-hollow body electric guitar. Though the Sheraton and all its variations were introduced under the ownership of the Gibson Guitar Corporation, Epiphone is the exclusive manufacturer.

Under the ownership of Epaminondas ("Epi") Stathopoulo, Epiphone was a leading manufacturer of hollow-body and archtop guitars. Epi Stathopoulos died in 1943. Control of the company went to his brothers, Orphie and Frixo. In 1951, a four-month-long strike forced a relocation of Epiphone from New York to Philadelphia. The company was bought out by their main rival, Gibson in 1957. In 1958, Gibson began to expand upon its Epiphone line of semi-hollow guitars. They reworked Epiphone's old Century archtop into a thinline electric fitted with a single P-90. This was followed by the introduction of a twin-pickup, double-cut thinline semi-hollowbody, the Sheraton. The original Gibson-made Epiphone Sheratons were up until 1970, when production moved to Japan, and major design changes began to occur.

Gibson used the same body for the Sheraton as it was using for its new ES-335, ES-345, and ES-355 models. It featured the same double rounded horns, and had similarly placed electronics. The Sheraton was fitted with a set glued-in neck, in accordance with Gibson's standard practice. Distinguishing characteristics of the Sheraton included its multiple body binding (like that of its top of the line Gibson cousin, the ES-355); its Frequensator tail piece; and its and fretboard inlays. Unlike any of the semi-hollowbodies in the Gibson line, the Sheraton's headstock featured Epiphone's traditional fancy vine (or "tree of life") inlay on its headstock, while its fretboard featured a block and triangle (or "V") inlay of mother-of-pearl and abalone, as well as binding on the fretboard's surface, inset slightly from the outer edges.

1958 Epiphone Sheraton introduction specs: Thin body, double cutaway, semi-hollow with solid maple block down center; 2 Epiphone "New York" (single coil) pickups; 2 volume and 2 tone controls with white 'carousel' knobs, and a pickup selector switch; tune-o-matic bridge with no retainer wire; gold plated metal parts; Frequensator tailpiece or Bigsby vibrato; bound tortoise-shell pickguard; Epiphone 'E' tuners; multiple bound top and back; single bound rosewood fingerboard; abalone/pearl block "V" fingerboard inlays, neck joins body at 19th fret, 5-piece neck (from remaining Epiphone-built inventory) has a "V" chunky back shape; tree of life pearl peghead design; sunburst or natural finish. 1961 Sheraton specs: Parts begin to change to Gibson-made parts. The pickups are changed from the New York single coils to mini-humbuckers, knobs become gold gibson bonnet knobs, tuners become Grovers. Serial number now pressed into the back of the peghead between the D and G tuners, in addition to being on the blue Epiphone label in the bass "f" hole. The new Epiphone "Trem-o-tone" adjustable vibrato tailpiece is introduced. 1962 Sheraton specs: Production changes from NY-made Epi necks to Gibson-made mahogany necks. Cherry red finish introduced (this will remain the rarest Sheraton finish throughout Gibson's production period of the 1960s). "Epiphone" script inlay on headstock becomes more streamlined in appearance. 1963 Sheraton specs: Peghead shape becomes more elongated. Binding on fretboard moves to outer edges (no longer inset). 1965 Sheraton specs: Sunburst finish becomes more two-tone (tobacco to amber). Late 60's to 1970: Neck width narrows to 1 9/16", as on many Gibson-made guitars of the era.

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Wikipedia