Elissa Landi | |
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from the After the Thin Man film trailer, 1936.
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Born |
Elizabeth Marie Christine Kühnelt December 6, 1904 Venice, Italy |
Died | October 21, 1948 Kingston, New York, U.S. |
(aged 43)
Cause of death | cancer |
Years active | 1926-1943 |
Spouse(s) | John Cecil Lawrence (1928-1936) (divorced) Curtiss Thomas (1943-1948) (her death) 1 daughter |
Children | Carolyn Maude (b. 1944) |
Elissa Landi (December 6, 1904 – October 21, 1948) was an Italian-born actress who was popular in Hollywood films of the 1920s and 1930s. Rumoured to be a descendant of Emperor Franz Joseph of Austria, she was noted for her aristocratic bearing.
Born Elisabeth Marie Christine Kühnelt in Venice, Landi was raised in Austria and educated in England. From 1928 to 1936, Landi was married to John Cecil Lawrence, and from 1943 to 1948, to Curtis Kinney Thomas (1905-2002).
Her first ambition was to be a writer, and she wrote her first novel at the age of twenty. She would return to writing during lulls in her acting career. She joined the Oxford Repertory Company at an early age, appearing in many British and American stage successes.
During the 1920s she appeared in British, French, and German films before travelling to the United States to appear in a Broadway production of A Farewell to Arms. She was signed to a contract by Fox Film Corporation (later 20th Century Fox) in 1931.
She played the heroine in Cecil B. De Mille's The Sign of the Cross (1932), but was overshadowed by Claudette Colbert who played the flashier role of Poppea. She was paired successfully with some of the major leading men, such as David Manners, Charles Farrell, Warner Baxter, and Ronald Colman in romantic dramas such as Body and Soul (1931) before appearing in the box office hit The Count of Monte Cristo (1934) with Robert Donat.