Dame Elisabeth Jean Frink CH DBE RA (14 November 1930 – 18 April 1993) was an English sculptor and printmaker. Her Times obituary noted the three essential themes in her work as the nature of Man; the "horseness" of horses; and the divine in human form.
Born in Thurlow, Suffolk, Frink studied at the Guildford School of Art (now the University for the Creative Arts) (1946–1949), under Willi Soukop, at the Chelsea School of Art (1949–1953). She was part of a postwar group of British sculptors, dubbed the Geometry of Fear school, that included Reg Butler, Bernard Meadows, Kenneth Armitage and Eduardo Paolozzi. Frink’s subject matter included men, birds, dogs, horses and religious motifs, but very seldom any female forms. Bird (1952; London, Tate), one of a number of bird sculptures, and her first successful pieces (also Three Heads and the Figurative Tradition) with its alert, menacing stance, characterizes her early work.
Although she made many drawings and prints, she is best known for her bronze outdoor sculpture, which has a distinctive cut and worked surface. This is created by her adding plaster to an armature, which she then worked back into with a chisel and surform. This process contradicts the very essence of "modeling form" established in the modeling tradition and defined by Rodin's handling of clay.