Electro Hop
| Hip house | |
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| Stylistic origins | |
| Cultural origins | Late 1980s, Chicago, New York City, Detroit, United States / United Kingdom |
| Typical instruments | |
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Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip-hop. The style rose to prominence during the late 1980s in Chicago and New York. Hip house originated in Chicago and quickly became popular across the U.S. and in the UK, with tracks like "Rok Da House" by UK producers the Beatmasters featuring British female emcees the Cookie Crew.
Minor controversy ensued in 1989 when a U.S. record called "Turn Up the Bass" by Tyree Cooper featuring Kool Rock Steady claimed it was the "first hip house record on vinyl". The Beatmasters disputed this, pointing out that "Rok Da House" had originally been written and pressed to vinyl in 1986. The outfit then released "Who’s in the House?" featuring British emcee Merlin, containing the lines "Beatmasters stand to attention, hip house is your invention" and "Watch out Tyree, we come faster". More claims to the hip-house crown were subsequently laid down in tracks by Fast Eddie, Rob Base and DJ E-Z Rock, and Toni Scott.
After successful releases by the Beatmasters, Deskee, Tyree, Doug Lazy and Mr. Lee, hip-house became popular in the acid house warehouse scene and nightclubs. Hip house also garnered substantial chart success. The style complemented sample-based records of the period, produced by artists such as S-Express, Bomb the Bass and M/A/R/R/S.
Jackstreet Records' 1989 release of Vitamin-C's "The Chicago Way" helped to bring focus to the lyrical prowess of hip house rappers. Hip house's further crossover success would come in the form of two ground breaking records: "I'll House You" by the Jungle Brothers and "It Takes Two" by Rob Base and DJ E-Z Rock. "I'll House You" is generally seen as a collaboration between New York City house-music producer Todd Terry and the Jungle Brothers (an Afrocentric hip-hop group from New York). "It Takes Two" was described by Hip Hop Connection magazine as "...the first palatable form of hip-house for hardcore hip hop fans".
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