An Aria SWB 02/5 5-string EUB with a skeleton-style upper bout so that the bass will sit against the body properly.
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String instrument | |
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Other names | Stick bass |
Classification | String instrument (bowed or plucked) |
Hornbostel–Sachs classification | 321.322-71 (Composite chordophone sounded by a bow) |
Developed | 20th century |
Playing range | |
Related instruments | |
Musicians | |
The electric upright bass (abbreviated EUB) is an electronically amplified version of the double bass that has a minimal or 'skeleton' body, which greatly reduces the size and weight of the instrument. The EUB retains enough of the features of the double bass so that double bass players are comfortable performing on it. While the EUB retains some of the tonal characteristics of the double bass, its electrically amplified nature also gives it its own unique sound.
The first production electric upright basses were developed independently in the mid-1930s by Regal, Vega and Rickenbacker. However, in the 1930s and 1940s, neither the transducers and or amplification equipment which were then available could accurately reproduce the deep tones of the bass. This may have contributed to the lack of public interest in either the electric upright basses or the electric guitar-style instruments that emerged in the 1930s.
In comparison with other electronically amplified string instruments, such as the electric violin, viola and cello, the EUB has been taken up by a wider range of players, perhaps because a traditional upright bass's size makes it challenging to transport when compared to smaller instruments in the family.
The scale length of EUBs varies: some scales are 42", similar to most double basses, whilst other models have scale lengths of only 30" like a short scale bass guitar. The shorter scale can make it easier for bass guitarists to convert to the EUB. Some scales lie between these two extremes, for example 34", like a long scale bass guitar. The fingerboard extends over two octaves and usually has side dots for the players reference. Regardless of scale length, the strings are usually tuned to E1, A1, D2, G2 (see Scientific pitch notation) at the same pitch as the double bass or bass guitar. Double bass players use features of the instrument such as the neck heel and edge of the upper bout as tactile positional references. The rear of the body of an upright bass is usually braced against the hip with player standing or knee if sitting. Many EUBs therefore mirror these features in their design.