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Eat Drink Man Woman

Eat Drink Man Woman
Eat Drink Man Woman.jpg
DVD cover
Traditional 飲食男女
Simplified 饮食男女
Mandarin yǐn shí nán nǚ
Directed by Ang Lee
Produced by Hsu Li Kong
Hsu Kong
Written by Ang Lee
James Schamus
Hui-Ling Wang
Starring
Music by Mader
Cinematography Jong Lin
Edited by Ang Lee
Tim Squyres
Distributed by The Samuel Goldwyn Company
Release date
  • August 3, 1994 (1994-08-03)
Running time
123 minutes
Country Taiwan
Language Mandarin
Box office $7.2 million

Eat Drink Man Woman is a 1994 Taiwanese film directed by Ang Lee and starring Sihung Lung, Yu-wen Wang, Chien-lien Wu, and Kuei-mei Yang. The film was released on August 3, 1994, the first of Lee's films to be both a critical and box office success. In 1994, the film received the Asia Pacific Film Festival Award for Best Film, and in 1995 it received an Academy Award Nomination for Best Foreign Language Film.

The title is a quote from the Book of Rites, one of the Confucian classics, referring to the basic human desires and accepting them as natural. The beginning of the quote reads as follows: “The things which men greatly desire are comprehended in meat and drink and sexual pleasure; […]” (Translation by James Legge), Chinese: 「飲食男女,人之大欲存焉」.

Many of the cast members had appeared in Ang Lee's previous films. Sihung Lung and Ah Lei Gua played central elderly figures dealing with the transition from tradition to modernity in The Wedding Banquet, in which Winston Chao also starred. Sihung Lung played an immigrant father in Pushing Hands. These three films show the tensions between the generations of a Confucian family, between East and West, and between tradition and modernity. They form what has been called Lee's "Father Knows Best" trilogy.

The setting is 1990s contemporary Taipei, Taiwan. Mr. Chu (C: 老朱, P: Lǎo Zhū "Old Chu"; Sihung Lung), a widower who is a master Chinese chef, has three unmarried daughters, each of whom challenges any narrow definition of traditional Chinese culture:

Each Sunday Mr. Chu makes a glorious banquet for his daughters, but the dinner table is also the family forum, or perhaps “torture chamber,” to which each daughter brings “announcements” as they negotiate the transition from traditional “father knows best” style to a new tradition which encompasses old values in new forms.

Other characters include:

As the film progresses, each daughter encounters new men. When these new relationships blossom, their roles are broken and the living situation within the family changes. The father eventually brings the greatest surprise to the audience at the end of the story.


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