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Dutch documentary film


A Dutch documentary film is a documentary film made by a director of (partly) Dutch origin. Dutch documentary films are not necessarily bound to Dutch topics or locations in the Netherlands.

The first known Dutch documentary was made in 1916 by Johann Vierboom. The film Storm en noodweer in Nederland shows the 1916 flood disaster at the coasts of the Zuiderzee. An other documentary film of this era is Holland Neutraal: De leger- en vlootfilm (1917) by Willy Mullens. One of the most famous Dutch documentary film directors is Joris Ivens. Ivens started making his own films in 1928. The first was an avant-garde look at a Rotterdam bridge, The Bridge ([De brug, 1928). His later films were more realistic, socially concerned and polemical.The Spanish Earth (1937) is one of his most famous films. In order to make internationally oriented documentaries, Ivens travelled to countries such as the Soviet Union, Spain, China, Australia and the United States.

After the 2nd World war, films of the acclaimed documentary film directors Bert Haanstra and Herman van der Horst dominated Dutch cinema. Their work is internationally known as the ‘Dutch Documentary School’. A feature of the documentary films of this era is the use of human beings as a metaphor. Van der Horst and Haanstra both won prizes at the Cannes Film Festival. Van der Horst's most famous movie is Faja Lobbi (1960), while Haanstra gained international fame for his renowned documentary Alleman (The Human Dutch, 1963). Other directors of the Dutch Documentary School are Charles Huguenot van der Linden, and John Fernhout.

After the era of the Dutch Documentary School, Dutch documentaries lost their uniformity. Instead of forming a group, joining forces and sharing stylistic trademarks, filmmakers mostly worked on independent projects or projects for television networks. Contemporary documentary directors have produced a wide variety of works. Contemporary directors with international successes are Jos de Putter, Heddy Honigmann, Johan van der Keuken and Leonard Retel Helmrich. In the late 20th century, documentary films are mainly shown on Dutch television networks, although some cinemas and art houses show Dutch documentary films. Nowadays, internet provides worldwide access to Dutch documentary films displayed online.


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