Du är den ende

"Romance Anónimo" (Anonymous Romance) is a piece for guitar, also known as "Estudio en Mi de Rubira" (Study in E by Rubira), "Spanish Romance", "Romance de España", "Romance de Amor", "Romance of the Guitar", "Romanza" and "Romance d'Amour" among other names.

Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo,Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.

The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.

The earliest recording of "Romance" is on a cylinder (from the "Viuda de Aramburo" label) featuring guitarists Luis and Simon Ramírez, made in Madrid sometime between 1897 and 1901. The work in question is titled "Sort-Estudio para Guitarra por S. Ramirez". It is highly likely that the name "Sort" — as it occurs on the cylinders's title — refers to Fernando Sor, as Sor's surname is sometimes also spelled "Sort" or "Sorts". The recording may be heard on the DOREMI release "Tarrega, His Disciples, and Their Students" (DHR-7996).

An early publication of the work, known as "Estudio para Guitarra" de Rovira was published by J.A. Medina e Hijo in Argentina probably in 1913, or with complete certainty before 1925, when the publisher ceased activities; which is attributed to Spanish guitarist Antonio Rubira (or Antoni Rovira). Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published information which also cites Antonio Rubira as author (see "Violào e Mestres" Junio, 1966 / Sào Paulo, Brasil): Sávio gives information that Juan Pargas (who knew Rubira) gave the Estudio de Rovira to the guitarist Juan Valles in 1876 (1878?). Sávio also mentions that the work became popular in Buenos Aires, and began to be published by some, such as Spaniard Pedro Maza, and that the work appears in the method of Mascaro and Reissig (published in Montevideo in 1919), on page 14, with the title "Conocido por Estudio de Rovira". Publishing company Ricordi of Argentina currently publishes the piece and attributes authorship to Antonio Rubira.

...
Wikipedia