Dragon of Wantley

The Dragon of Wantley is a legend of a dragon-slaying by a knight on Wharncliffe Crags in South Yorkshire, recounted in a comic broadside ballad of 1685, later included in Thomas Percy's 1767 Reliques of Ancient Poetry, and enjoying widespread popularity in the 18th and 19th centuries, although less well-known today. The ballad tells how the Falstaffian knight, Moore of Moore Hall, obtains a bespoke suit of spiked Sheffield armour and delivers a fatal kick to the dragon's "arse-gut," its only vulnerable spot - as the dragon explains with its dying breath. The topography of the ballad is accurate in its detail as regards Wharncliffe Crags and environs, but the story, and its burlesque humour, has been enjoyed in places far from the landscape from which it appears to derive and has been used to make a number of points unrelated to it.

More Hall is a 15th-century (or earlier) residence immediately below the gritstone edge of Wharncliffe Crags—Wharncliffe being formerly known in the local vernacular as Wantley—The dragon was reputed to reside in a den, and to fly across the valley to Allman (Dragon's) Well on the Waldershelf ridge above Deepcar.

A lawsuit was taken out in 1573 by one George More of Sheffield on behalf of the Sheffield Burgery (the 'free men' of Sheffield) against the Lord of the manor of Sheffield, George Talbot, the sixth Earl of Shrewsbury, in respect of his appropriation of the proceeds of Sheffield 'waste' land, which hitherto had paid for Sheffield's poor, civic works and the parish church. [see The Records of the Sheffield Burgery by John Daniel Leader (1897); and Church and Manor: A Study in English Economic History, by Sidney Oldall Addy (1913)]. This had long been the practice under an agreement in 1297 by one of Talbot's predecessors, one Thomas Furnival [see Sheffield (History and Guide) by David Fine (1991)], and had seemed secure after a successful petition some two decades previously to the newly enthroned Queen Mary with the full support of George Talbot's father (the previous—fifth—Earl of Shrewsbury, Francis Talbot) [see the ‘history’ section of the website of the Sheffield Church Burgesses Trust http://www.sheffieldchurchburgesses.org.uk/history-of-sheffield-church-burgesses-trust.htm].

Henry Carey wrote the libretto to a burlesque opera called The Dragon of Wantley in 1737. The opera, with music composed by John Frederick Lampe, punctured the vacuous operatic conventions and pointed a satirical barb at Robert Walpole and his taxation policies. The opera was a huge success and its initial run was 69 performances in the first season; a number which exceeded even The Beggar's Opera. The opera debuted at the Haymarket Theatre, where its coded attack on Walpole would have been clear, but its long run occurred after it moved to Covent Garden, which had a much greater capacity for staging. Part of its satire of opera was that it had all of the words sung, including the recitatives and da capo arias. The play itself is very brief on the page, as it relied extensively on absurd theatrics, dances, and other non-textual entertainments. The Musical Entertainer from 1739 contains engravings showing how the staging was performed *

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