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Thomas Percy (Bishop of Dromore)


Thomas Percy (13 April 1729 – 30 September 1811) was Bishop of Dromore, County Down, Ireland. Before being made bishop, he was chaplain to George III. Percy's greatest contribution is considered to be his Reliques of Ancient English Poetry (1765), the first of the great ballad collections, which was the one work most responsible for the ballad revival in English poetry that was a significant part of the Romantic movement.

He was born as Thomas Percy in Bridgnorth, the son of Arthur Lowe Percy a grocer and farmer at Shifnal who sent Thomas to Christ Church, Oxford in 1746 following an education firstly at Bridgnorth Grammar School followed by nearby Adams' Grammar School in local Newport. He graduated in 1750 and proceeded M.A. in 1753. In the latter year he was appointed to the vicarage of Easton Maudit, Northamptonshire, and three years later was instituted to the rectory of Wilby in the same county, benefices which he retained until 1782. In 1759 he married Anne, daughter of Barton Gutterridge.

Dr Percy's first work, 'Hao Kiou Choaan, or The Pleasing History', was published in 1761. This is a heavily revised and annotated version of a manuscript translation of the Haoqiu zhuan (好逑傳), and is the first full publication in English of a Chinese novel. The following year, he published a two-volume collection of sinological essays (mostly translations) entitled 'Miscellaneous Pieces Relating to the Chinese.' In 1763, he published Five Pieces of Runic Poetry, translated from the Icelandic. The same year, he also edited the Earl of Surrey's poems with an essay on early blank verse, translated the Song of Solomon, and published a key to the New Testament. His Northern Antiquities (1770) is a translation from the French of Paul Henri Mallet. His edition of the 'Household Book' of the Earl of Northumberland (1770) (The Regulations and Establishment of the Household of Henry Algernon Percy, the Fifth Earl of Northumberland, at his Castles of Wresill and Lekinfield in Yorkshire. Begun anno domini M.DXII) is of the greatest value for the illustrations of domestic life in England at that period.


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