Drāviḍa Style

Dravidian architecture is an architectural idiom in Hindu temple architecture that emerged in the southern part of the Indian subcontinent or South India, reaching its final form by the sixteenth century. It consists primarily of Hindu temples where the dominating feature is the high gopura or gatehouse; large temples have several. Mentioned as one of three styles of temple building in the ancient book Vastu shastra, the majority of the existing structures are located in the Southern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana. Various kingdoms and empires such as the Cholas, the Chera, the Kakatiyas, the Pandyas, the Pallavas, the Gangas, the Rashtrakutas, the Chalukyas, the Hoysalas, and Vijayanagara Empire among others have made substantial contribution to the evolution of Tamizhian architecture. This style of architecture can also be found in parts of North India (Teli ka Mandir Gwalior, Bhitargaon Baitala Deula, Bhubaneshwar), Northeastern and central Sri Lanka.

Throughout Tamilakam, a king was considered to be divine by nature and possessed religious significance. The king was 'the representative of God on earth’ and lived in a “koyil”, which means the “residence of God”. The Modern Tamil word for temple is koil. Titular worship was also given to kings. Other words for king like “kō” “king”), “iṟai” “emperor”) and “āṇḍavar” “conqueror”) now primarily refer to God.Tolkappiyar refers to the Three Crowned Kings as the “Three Glorified by Heaven”. In the Dravidian-speaking South, the concept of divine kingship led to the assumption of major roles by state and temple.

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