In Western musical notation, a dotted note is a note with a small dot written after it. In modern practice the first dot increases the duration of the basic note by half of its original value. A dotted note is equivalent to writing the basic note tied to a note of half the value; or with more than one dot, tied to notes of progressively halved value. The length of any given note a with n dots is therefore given by the geometric series
More than three dots are highly uncommon but theoretically possible; only quadruple dots have been attested.
A rhythm using longer notes alternating with shorter notes (whether notated with dots or not) is sometimes called a dotted rhythm. Historical examples of music performance styles using dotted rhythm include notes inégales and swing. The precise performance of dotted rhythms can be a complex issue. Even in notation that includes dots, their performed values may be longer than the dot mathematically indicates, a practice known as over-dotting.
If the note to be dotted is on a space, the dot also goes on the space, while if the note is on a line, the dot goes on the space above (this also goes for notes on ledger lines). However, if a dotted note on a line is part of a chord where a higher note is also on a line, the dot for the lower note is placed in the space below:
The dots on dotted notes, which are located to the right of the note, are not to be confused with the dots which indicate staccato articulation, which are located above or below the note as shown in the 3rd and 4th notes of Example 2.
Theoretically, any note value can be dotted, as can rests of any value. If the rest is in its normal position, dots are always placed in third staff space from the bottom.
The use of a dot for augmentation of a note dates back at least to the 10th century, although the exact amount of augmentation is disputed; see Neume.