Don Heckman
| The Don Heckmagn–Ed Summerlin Improvisational Jazz Workshop | ||||
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Studio album by Don Heckman and Ed Summerlin |
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| Released | October 1967 | |||
| Recorded | September 3, 1965; March 31, 1966 New York, New York, United States |
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| Genre | Avant-garde jazz, Free jazz | |||
| Label |
Ictus 101 ictus |
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| Ed Summerlin chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| Down Beat |  |
The Don Heckman–Ed Summerlin Improvisational Jazz Workshop is the first and only album released by the group of the same name, led jointly by alto saxophonist Don Heckman and tenor saxophonist Ed Summerlin, recorded in September 1965 and March 1966, and released in 1967 on their own, recently established Ictus label, with Heckman and Summerlin each composing two of the album's four tracks. The eponymous LP would be re-released the following year on the English Jazz Workshop label as Jax or Bettor.
Described in Heckman's liner notes as "a laboratory for the continuing exploration of new music," the group existed from 1964 to 1972, "[i]ts materials includ[ing] jazz, electronic music, happenings, theatrical events, dance, film, religious services, written music, improvised music, and chance music." The album also provided an early showcase for pianist Steve Kuhn, as well as bassists Ron Carter and Steve Swallow (the latter heard here approximately five years before switching exclusively to electric bass).
Awarding the album 4½ stars, Down Beat's Pete Welding described the group's "balance between written and extemporized music" as "both refreshing and successful," while Jazz & Pop proclaimed Heckman "a major voice [who] must be heard," and noted Summerlin's synthesis of Sonny Rollins and Albert Ayler. Decades later, Allmusic's Scott Yanow would give the album 3 stars, citing "impressive solos" by Heckman, "showing that he was one of the first to utilize the innovations of Eric Dolphy in his playing." While the long out-of-print album's "collector's item" status is duly noted by Yanow, the only fault found with the recording is "Lisa Zanda's purposely odd vocal on 'Five Haikus.'"
Side One
Side Two
All track information accessed via JazzDiscography.com and the UMKC's Nichols Library collection.
Side One and Side Two, track 1 (recorded March 31, 1966)
Side Two, track 2 (recorded September 3, 1965)
All personnel information accessed via JazzDiscography.com.
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