Don Freeman
| Don Freeman | |
|---|---|
Freeman at work c. 1954
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| Born |
August 11, 1908 San Diego, California |
| Died | January 1, 1978 (aged 69) |
| Nationality | American |
| Area(s) | Cartoonist, Penciller |
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Notable works
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Corduroy |
| donfreeman |
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Don Freeman (August 11, 1908 – January 1, 1978) was an American painter, printmaker, cartoonist, and an illustrator and writer of children's books. He was active from the 1930s to the 1970s.
Freeman was born in San Diego, attended high school in St. Louis, and later went to New York City, where he studied graphic design and lithography at the Art Students League with John Sloan and Harry Wickey.
Frequent subjects of Freeman's included Broadway theater, politics, and the circus. Freeman was known for carrying a sketchbook with him wherever he went. His images depicted New York City, and the faces of the people he observed on the streets, in the theaters, and in the subways. They often included images of showgirls, Bowery Boys, drunks, apple sellers, window washers and numerous citizens of the city that were down on their luck. Freeman was also a jazz musician and the brother of hotel entrepreneur Warren Freeman.
As Freeman's career progressed, he lightened his palette and depicted more upbeat subjects. In 1951, he began illustrating children's books. His wife, Lydia, who was also an accomplished artist, authored some of the books Freeman illustrated. The Freemans eventually moved to Santa Barbara, California, where they spent the remainder of their lives.
Don Freeman was first introduced to children's literature when William Saroyan asked him to illustrate several books. However, his greatest influence came from the artist Honoré Daumier. Freeman studied many of Daumier's works as well as possessing a large collection of books on the artist.
Throughout Don Freeman's career, he was the writer and illustrator of more than 20 children's books. He is best known for his publication of Corduroy. Although he came up with many of his ideas on his own, his wife Lydia Freeman contributed greatly to his success; indeed, she co-wrote two books with him, Chuggy and the Blue Caboose and Pet of the Met. She was very influential on her husband's work, as he relied on her for inspiration for his pieces. He would read his work aloud to her as well as any children around in order to gain feedback on a particular piece. Lydia too became a well-known artist in her later life. In his autobiography "Come One, Come All! Don humorously admits that of the two, she was the better (watercolor) artist.
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