Don't You Want Me
"Don't You Want Me" |
Single by The Farm
|
from the album 'Love See No Colour'
|
B-side |
Obviously |
Released |
October 1992 |
Recorded |
1992 |
Length |
04:12 |
Label |
End Product |
Writer(s) |
|
Producer(s) |
Mark Saunders |
The Farm singles chronology |
"Rising Sun"
(1992) |
"Don't You Want Me"
(1992) |
"Love See No Colour" (re-mix)"
(1992) |
|
"Don't You Want Me" is a single by British synthpop group The Human League, released on 27 November 1981 as the fourth single from their third studio album Dare (1981).
It is the band's best known and most commercially successful recording and was the 1981 Christmas number one in the UK, where it has since sold over 1,560,000 copies, making it the 23rd most successful single in UK Singles Chart history. It later topped the Billboard Hot 100 in the US on 3 July 1982 where it stayed for three weeks. In 2015 the song was voted by the British public as the nation's 7th favourite 1980s number one in a poll for ITV.
The lyrics were originally inspired after lead singer Philip Oakey read a photo-story in a teen-girl's magazine. Originally conceived and recorded in the studio as a male solo, Oakey was inspired by the film A Star Is Born and decided to turn the song into a conflicting duet with one of the band's two teenage female vocalists. Susan Ann Sulley was then asked to take on the role. Up until then, she and the other female vocalist Joanne Catherall had only been assigned backing vocals; Sulley says she was chosen only through "luck of the draw". Musicians Jo Callis and Philip Adrian Wright created a synthesizer score to accompany the lyrics which was much harsher than the version that was actually released. Initial versions of the song were recorded but Virgin Records-appointed producer Martin Rushent was unhappy with them. He and Callis remixed the track, giving it a softer, and in Oakey's opinion, "poppy" sound. Oakey hated the new version and thought it the weakest track on Dare, resulting in one of his infamous rows with Rushent. Oakey disliked it so much that it was relegated to the last track on side two of the (then) vinyl album.
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Wikipedia