"Don't It Make My Brown Eyes Blue" is a song written by Richard Leigh, and recorded by American country music singer Crystal Gayle. It was released in March 1977 as the first single from Gayle's album We Must Believe in Magic. Despite the title, Gayle herself has blue eyes.

"Don't It Make My Brown Eyes Blue" composer Richard Leigh had been responsible for all three of Crystal Gayle's previous Top Ten C&W hits, the third of which "I'll Get Over You" had reached number 1. According to Gayle's regular producer Allen Reynolds, he was advised by Leigh's landlady, songwriter Sandy Mason Theoret, that Leigh was "a little down in the dumps lately because nothing much [was] happening" after the success of "I'll Get Over You". At Theoret's suggestion, Reynolds visited Leigh to cheer him up. Reynolds explained, "we were sittin' on the floor...singing songs to one another. [Leigh] mentioned a song that his publisher was gonna get to Shirley Bassey...[and] sang it for me: 'Don't It Make My Brown Eyes Blue'. I said, 'Shirley Bassey my ass, I want that song!'" Reynolds recalls that when he played "Don't It Make My Brown Eyes Blue" for Gayle "she was just as excited [by the song] as I was."

The track was recorded at Jack's Tracks in Nashville on October 27, 1976. As Reynolds' regular session keyboardist Charles Cochran had suffered a stroke with some resultant numbness in his hands, Reynolds hired Hargus "Pig" Robbins to play keyboards, and Robbins instantly devised the song's signature acoustic piano riff; Cochran was also featured on the session playing the horn parts on a Wurlitzer. Reynolds noted "it was just one of those charmed sessions...[After] we presented the song to the musicians...it was about the third time running [through] that song that we ran tape...[Gayle] sang [the song] wonderfully. It came so fast that she wasn't sure that she had done her best job. I had to let her try to sing it again on two or three different occasions until she was comfortable with the original [vocal take], and that's what we went with. Everything on that recording was the original take as it went down, except the string section I added later."

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