The Dogmatic Sarcophagus, also known as the "Trinity Sarcophagus" is an early Christian sarcophagus dating to 320–350, now in the Vatican Museums (Vatican 104). It was discovered in the 19th century during rebuilding works at the basilica di San Paolo fuori le Mura, in Rome, Italy.
Together with the Sarcophagus of Junius Bassus, it one of the most important examples of Christian-Roman sculpture of the Constantinian era. It draws its name from its clear references to the dogmas of the Council of Nicaea (325), in particular to Christ being consubstantial with God the Father, as shown (for example) by the scene of a figure with the appearance of Jesus between Adam and Eve, though whether the figure is to be understood as Christ or God the Father is less clear – the dogmatic point works either way.
The front face is split into two registers, typical of the style of the time, with Old Testament and New Testament subjects and a central shell-shaped clipeus containing the portraits of the dead couple, embraced and wearing marital clothes typical of the 4th century (tunica manicata, dalmatina and toga contabulata by the man, who holds a rotulus in his hand, and tunic and palla by the woman). The heads are basic types, showing there was either no desire or not enough time to personalize the sarcophagus.
In the upper register are five episodes, two from the book of Genesis and two miracles of Christ:
In the lower register are six scenes, one linked to Christ's birth, two to the Bible and three to St Peter:
The sarcophagus can be dated to between 330 and 340 due to the male hairstyles (apart from those of Christ and Peter), the squat square figures and the lack of calligraphic detail. There are echoes of the previous "plebeian" official art, which has led some to suggest that the sarcophagus is from the same workshop that produced and amended the reliefs for the Arch of Constantine (dedicated in 315).