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Do Right Woman, Do Right Man

"Do Right Woman, Do Right Man"
Aretha Frankling - Do Love Woman Do Love Man.png
Single by Aretha Franklin
from the album I Never Loved a Man the Way I Love You
A-side "I Never Loved a Man (The Way I Love You)"
Released February 10, 1967
Format Vinyl record (7" 45 RPM)
Recorded 1967
Genre R&B, Pop
Length 3:14
Label Atlantic
Writer(s) Chips Moman
Dan Penn
Producer(s) Jerry Wexler
Aretha Franklin singles chronology
"Mockingbird"
(1967)
"I Never Loved a Man (The Way I Love You)"
(1967)
"Respect"
(1967)

"Do Right Woman, Do Right Man" (also written "Do Right Woman — Do Right Man") is a single by Aretha Franklin. It was released on February 10, 1967. Rolling Stone listed it as number 476 in their list of the 500 Greatest Songs of All Time.

"Do Right Woman, Do Right Man" was written by Chips Moman and Dan Penn. It was produced by Jerry Wexler.

Franklin began recording the song in 1967 in Muscle Shoals, Alabama, after completing "I Never Loved a Man (The Way I Love You)". While taking a break for the night at the motel, Franklin's then-husband and manager Ted White got into a fight with trumpeter Melvin Lastie after Lastie was seen flirting with Franklin. The following morning, it was found that Franklin and White had left with the song still unfinished. Penn recalled:

"They cut 'I Never Loved a Man' and it was just romping stomping. It was an out and out smash. They cut 'Do Right Woman', it didn't sound right. She wouldn't even sing it. I think I sang it as it went down on the track. . . . They weren't going to cut any more at Rick's because they had a little disagreement, and they had an eight-track in New York and wanted to go eight-track, so we all went up there."

Franklin disappeared for several weeks, later reappearing in New York City. She then finished the song with the help of her sisters Carolyn and Erma. Penn recalled:

"She had put her sisters on it, she'd sang it over, she'd played piano herself, and I realised then you can make anything out of anything with a lot of tracks. I think maybe they had the bass drum and a snare and the bass that they used out of Alabama, and possibly the guitar. . . . And it was such a wonderful record when they played it back. It's still one of the best records I've ever heard by anybody – not 'cause it's my song, but just that record. It'll reach out and get you in your heart."


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