Disembowelment (band)
| Disembowelment | |
|---|---|
| Origin | Melbourne, Victoria, Australia |
| Genres | Death/doom |
| Years active | 1989–1993 |
| Labels | Relapse |
| Associated acts | Bacteria, Scum, Sanctum, Trial of the Bow, Pulgar, d.USK, Inverloch |
| Past members | Renato Gallina Paul Mazziotta Jason Kells Matthew Skarajew |
Disembowelment, often styled as diSEMBOWELMENT, was an Australian death/doom band that formed in November 1989 featuring Renato Gallina on guitar and vocals, and Paul Mazziotta on drums. In early 1991 Jason Kells joined on lead guitar and at the end of that year the group's line-up was completed by Matthew Skarajew on bass guitar. In 1992 they issued an extended play, Dusk, on Relapse Records and followed with a studio album, Transcendence into the Peripheral, in 1993. They disbanded shortly thereafter – never having performed live. Allmusic's Eduardo Rivadavia described them as "[s]till revered in underground circles as doom-grind pioneers ... [their works] remain genre classics".
Disembowelment, often styled as diSEMBOWELMENT, was an Australian death/doom band that formed in Melbourne in November 1989 out of the ashes of a two-piece grind band Bacteria, featuring Renato Gallina on guitar and vocals, and Paul Mazziotta on drums. With the help of Dean Ruprich from Melbourne death/grind band Necrotomy providing session bass guitar, the band released its first demo, "Mourning September" in September 1990. Disembowelment played a very slow form of doom – with occasional bursts of great speed – that relied equally on the atmospheric effects of droning guitars and constant riffing. The band was known for its atmospheric chanting, slow riffs and spiritual dark elements present in their symphonic, heavily distorted style. They are often credited with spawning the funeral doom movement that developed years later.
In 1991, Jason Kells joined the band on lead guitar. The song "Extracted Nails" was recorded in April 1991 at Double Tea Studios for a compilation on the German label Mangled Beyond Recognition, released the following year. The compilation featured Therion, God Macabre, Rottrevore, Cadaver, Crematory, Pan.Thy.Monium, Cenotaph, Hydr Hydr. On 3–4 August 1991, the band went back to Double Tea studios to record their second demo, "Deep Sensory Perception into Aural Fate". This recording marked a big step forward in the maturity of the songwriting, performance and overall production. The demo sparked the interest of Relapse Records, who signed them up and released the demo as the Dusk extended play in 1992. It was an edited version of the demo which omitted the linking piece of music between the two tracks. It included the first recorded version of "Cerulean Transience of all My Imagined Shores", a third track not featured on the earlier demo.
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