Digital synthesizers

A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds. This in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers others include sampling capability in addition to digital synthesis.

The very earliest digital synthesis experiments were made with computers, as part of academic research into sound generation. In 1973, the Japanese company Yamaha licensed the algorithms for frequency modulation synthesis (FM synthesis) from John Chowning, who had experimented with it at Stanford University since 1971. Yamaha's engineers began adapting Chowning's algorithm for use in a commercial digital synthesizer, adding improvements such as the "key scaling" method to avoid the introduction of distortion that normally occurred in analog systems during frequency modulation, though it would take several years before Yamaha were to release their FM digital synthesizers. In the 1970s, Yamaha were granted a number of patents, under the company's former name "Nippon Gakki Seizo Kabushiki Kaisha", evolving Chowning's early work on FM synthesis technology. Yamaha built the first prototype digital synthesizer in 1974.

Released in 1979, the Casio VL-1 was the first commercial digital synthesizer, selling for $69.95. Yamaha eventually commercialized their FM synthesis technology and released the first FM digital synthesizer in 1980, the Yamaha GS-1, but at an expensive retail price of $16,000.

Early commercial digital synthesizers used simple hard-wired digital circuitry to implement techniques such as additive synthesis and FM synthesis. Other techniques, such as wavetable synthesis and physical modeling, only became possible with the advent of high-speed microprocessor and digital signal processing technology. Two other early commercial digital synthesizers were the Fairlight CMI, introduced in 1979, and the New England Digital Synclavier II, introduced in 1980. The Fairlight CMI was a sampling synthesizer, while the Synclavier originally used FM synthesis technology licensed from Yamaha, before adding sampling synthesis later in the 1980s. The Fairlight CMI and the Synclavier were both expensive systems, retailing for more than $20,000 in the early 1980s. The cost of digital synthesizers began falling rapidly in the early 1980s. E-mu Systems introduced the Emulator sampling synthesizer in 1982 at a retail price of $7,900. Although not as flexible or powerful as either the Fairlight CMI or the Synclavier, its lower cost and portability made it popular.

...
Wikipedia