Die Liebe der Danae

Die Liebe der Danae
Opera by Richard Strauss
The composer reading the score, in 1945
Librettist	Joseph Gregor
Language	German
Based on	Hugo von Hofmannsthal outline "Danae, or The Marriage of Convenience" (1920)
Premiere	14 August 1952 (1952-08-14) Kleines Festspielhaus, Salzburg Festival

Die Liebe der Danae (The Love of Danae) is an opera in three acts by Richard Strauss to a February 1937 German libretto by Joseph Gregor, based on an outline written in 1920, "Danae, or The Marriage of Convenience", by Hugo von Hofmannsthal. Strauss worked on the score in 1937, 1938 and into 1939, although he was pre-occupied with completing Daphne, developing ideas with Gregor and finally replacing him as librettist for Capriccio, and then succumbed to illness, which caused postponement for several months into 1940. The opera was finally finished on 28 June 1940.

However, for a variety of reasons including Strauss' perception that the failure of Die Frau ohne Schatten, as he put it, was caused by having been "put on in German theatres too soon after the last war", the composer refused to allow Clemens Krauss, to whom he had guaranteed the right to conduct the first performances, to stage it until two years after the war.

The opera is an ingenious mixture of comedy and Greek mythology and the final act "contains the opera's finest music, a fact recognized by Strauss."

Contradicting his original refusal to allow the first performance until after the war, it appears that Strauss had granted to Clemens Krauss as early as November 1942 permission to perform the opera as part of the Salzburg Festival. In a letter to the composer, Krauss states that "I shall then bring the work to its first performance in celebration of your 80th birthday" which would take place on 11 June 1944.

Arrangements were made for mid-August performances in 1944, but, following the 20 July plot to assassinate Hitler, Joseph Goebbels declared "total war" and closed all theatres within the Third Reich, resulting in the work not being allowed a public staging. The Nazis did however permit a single dress rehearsal in Salzburg, conducted by Clemens Krauss on 16 August, in order that Strauss and an invited audience could hear the work performed. During an orchestral rehearsal before the private presentation, Strauss walked down to the orchestral rail in order to listen closely to the beautiful final interlude in the last act. Rudolf Hartmann, the opera's original producer, wrote of the incident: