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Detroit City (song)

"Detroit City"
Single by Bobby Bare
from the album Detroit City and Other Hits
Released May 1963 (U.S.)
Format 7"
Recorded April 18, 1963
Nashville, Tennessee
Genre Country
Length 2:47
Label RCA Records 47-8183
Writer(s) Danny Dill and Mel Tillis
Bobby Bare singles chronology
"Shame on Me"
(1962)
"Detroit City"
(1963)
"500 Miles Away from Home"
(1963)
"Detroit City"
Single by Tom Jones
from the album Green, Green Grass of Home
B-side If I Had You
Released February 1967
Label Decca
Writer(s) Danny Dill and Mel Tillis
Producer(s) Peter Sullivan
Tom Jones singles chronology
"Green, Green Grass of Home"
(1966)
"Detroit City"
(1967)
"Funny Familiar Forgotten Feelings"
(1967)
"Detroit City"
Single by Arthur Alexander
A-side "You Don't Care"
Released April 1965
Genre Soul
Length 2:40
Label Dot Records
Writer(s) Danny Dill and Mel Tillis
Producer(s) Noel Ball
Norman Petty
Bill Haney (uncredited)
"I Wanna Go Home"
Single by Billy Grammer
B-side The Bottom of the Glass
Released 1962
Label Decca
Writer(s) Danny Dill and Mel Tillis
Billy Grammer singles chronology
"I'd Like to Know Why"
(1961)
"I Wanna Go Home"
(1962)
"I'll Leave The Porch Lights A-Burning"
(1963)

"Detroit City" is a song written by Danny Dill and Mel Tillis, made famous by Billy Grammer (as "I Wanna Go Home"),country music singer Bobby Bare and Tom Jones. Bare's version was released in 1963. The song — sometimes known as "I Wanna Go Home" (from the opening line to the refrain) — was Bare's first Top 10 hit on the Billboard Hot Country Singles chart that summer, and became a country music standard.

Prior to Bare's success with "Detroit City," country singer Billy Grammer released his version of the Danny Dill-Mel Tillis penned song. His version was known as "I Wanna Go Home" and peaked at #18 on the Billboard country charts in 1963.

The song is the working man's complaint, and "with its melody reminiscent of the 'Sloop John B,' describes the alienation felt by many rural southerners in the mid North," wrote country music historian Bill Malone. "Here, [Bare's] earnest and planative interpretation lends great believability to this mournful song." Bare's version begins in the key of E, until after the repeat of the refrain, he makes a transition to the key of B for the second verse and refrain. He makes a transition back to the key of E as the song fades out. Bare's version also features a spoken recitation following half of the second verse, before singing the refrain before the song's fade.

The song's peak in popularity during the summer of 1963 came during a time when Tillis was still experiencing most of his success as a songwriter. He had previously written hits for Webb Pierce, Brenda Lee, Stonewall Jackson, and others, but this was one of his earliest major hits as a songwriter outside of those artists.


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