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Deloused in the Comatorium

De-Loused in the Comatorium
De-Loused in the Comatorium.jpeg
Studio album by The Mars Volta
Released June 24, 2003
Recorded 2002–2003 at The Mansion, Los Angeles
Genre Progressive rock
Length 60:51
Label Gold Standard Laboratories
Universal Records
Strummer
Producer Rick Rubin, Omar Rodríguez-López
The Mars Volta chronology
Tremulant
(2002)
De-Loused in the Comatorium
(2003)
Frances the Mute
(2005)
Singles from De-Loused in the Comatorium
  1. "Inertiatic ESP"
    Released: March 23, 2004
  2. "Televators"
    Released: April 6, 2004
Alternative cover
Alternative cover by Storm Thorgerson found on certain limited editions and on the reverse side of original cover
Alternative cover by Storm Thorgerson found on certain limited editions and on the reverse side of original cover
Professional ratings
Aggregate scores
Source Rating
Metacritic 82/100
Review scores
Source Rating
AllMusic 4.5/5 stars
Entertainment Weekly A−
The Guardian 2/5 stars
Los Angeles Times 4/4 stars
NME 9/10
Pitchfork Media 4.9/10
Q 4/5 stars
Rolling Stone 3/5 stars
Spin A
The Village Voice C+

De-Loused in the Comatorium is the debut studio album by American progressive rock band The Mars Volta, released on June 24, 2003, on Gold Standard Laboratories and Universal Records. Based on a short story written by lead singer Cedric Bixler-Zavala and sound manipulation artist Jeremy Michael Ward, the concept album is an hour-long tale of Cerpin Taxt, a man who enters a week-long coma after overdosing on a mixture of morphine and rat poison. The story of Cerpin Taxt alludes to the death of El Paso, Texas artist—and Bixler-Zavala's friend—Julio Venegas (1972–1996).

Co-produced by Rick Rubin and guitarist Omar Rodriguez-Lopez, it is the only studio album to feature founding member Jeremy Michael Ward, who was found dead in an apparent heroin overdose one month before the album was released. Following the departure of Eva Gardner, Red Hot Chili Peppers bassist Flea occupied the role of bass guitarist on this album.

The music contained in De-Loused is distinguished by its enigmatic lyrics, Latin and jazz rhythms, and Omar Rodríguez-López's frenetic guitar riffs, which are often strongly dissonant. The title of this album is taken from the lyrics of the song "Eunuch Provocateur" on the band's previous release, Tremulant (meanwhile, "Take the Veil Cerpin Taxt" contains the title of Tremulant). The cover artwork is by Storm Thorgerson.


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