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Frances the Mute

Frances the Mute
Frances the Mute.png
Studio album by The Mars Volta
Released February 11, 2005 (Japan)
February 21, 2005 (Europe)
March 1, 2005 (US)
Recorded January–October 2004
Genre Progressive rock
Length 76:57 (CD edition)
77:19 (triple vinyl edition)
Label Gold Standard Laboratories, Universal, Strummer
Producer Omar Rodríguez-López
The Mars Volta chronology
De-Loused in the Comatorium
(2003)
Frances the Mute
(2005)
Amputechture
(2006)
Singles from Frances the Mute
  1. "The Widow"
    Released: March 14, 2005
  2. "L' Via L' Viaquez"
    Released: July 11, 2005
Professional ratings
Aggregate scores
Source Rating
Metacritic 75/100
Review scores
Source Rating
AllMusic 4.5/5 stars
Blender 4/5 stars
Entertainment Weekly B−
The Guardian 3/5 stars
Mojo 4/5 stars
NME 7/10
Pitchfork Media 2.0/10
Q 4/5 stars
Rolling Stone 4/5 stars
Spin A−

Frances the Mute is the second studio album by American progressive rock band The Mars Volta released in February 2005 on Gold Standard Laboratories and Universal. Produced by guitarist and songwriter Omar Rodriguez-Lopez, the album incorporates dub, ambient, Latin and jazz influences, and is the first to feature bassist Juan Alderete and percussionist Marcel Rodriguez-Lopez. The album also includes contributions from future saxophonist Adrián Terrazas-González, who joined the band during its subsequent tour.

Frances the Mute sold 123,000 copies in its opening week and has sold 465,000 copies as of September 2006. The album made multiple "Best of" lists at the end of 2005. In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #18 in its list of "40 Cosmic Rock Albums" and the album was named as one of Classic Rock's 10 essential progressive rock albums of the decade.

Jeremy Ward, audio artist for The Mars Volta until his death, had previously worked as a repo man. One day, Ward discovered a diary in the backseat of a car he was repossessing, and began to note the similarities between his life and that of the author—most notably, that they had both been adopted. The diary told of the author's search for his biological parents, with the way being pointed by a collection of people, their names being the basis for each named track of Frances the Mute.


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