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Dead End Street (song)

"Dead End Street"
Dead End Street cover.jpg
Single by The Kinks
B-side "Big Black Smoke"
Released 18 November 1966 (UK)
Format 7" single (45 RPM)
Recorded 1966 at Pye Studios (No. 2), London
Genre Rock
Label Pye 7N 17222 (UK)
Reprise 0540 (US)
Writer(s) Ray Davies
Producer(s) Shel Talmy
The Kinks singles chronology
"Sunny Afternoon"
(1966)
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"Dandy"
(Non-UK, 1966)
"Dead End Street"
(1966)
"Waterloo Sunset"
(1967)
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"Mister Pleasant"
(Non-UK, 1967)

"Dead End Street" is a song by the British band The Kinks from 1966, written by main songwriter Ray Davies. Like many other songs written by Davies, it is to some degree influenced by British Music Hall. It was originally released as a non-album single, but has since been included as one of several bonus tracks from the Face to Face CD. The song, like many others by the group, deals with the poverty and misery found in the lower classes of English society. The song was a big success in the UK, reaching #5 on the singles charts, but only reached #73 in the United States. In 1976 it ranked #72 on New Musical Express's list of the Top 100 Singles of All Time. Some labels list the song as "Deadend Street".

'Dead End Street' was the working title for the Electric Light Orchestra's song "Sweet Talkin' Woman", until Jeff Lynne scrapped and rewrote most of the lyrics in its final stages.

A mimed promotional film (precursor to the modern music video) was produced for the song in late 1966. It was filmed on Little Green Street, a diminutive eighteenth century lane in North London, located off Highgate Road in Kentish Town.

The film was shot in black and white, and featured each member of the band dressed as an undertaker, as well as playing various other characters throughout. With a length of roughly 3:15 in total, it represents one of the first true "music videos". Dave Davies says that the BBC disliked the film, with the group dressed as Victorian pallbearers and one of their roadies in a nightshirt suddenly leaping out of the coffin as they put it down on the pavement, claiming it was in bad taste.

The song was recorded at a time when bassist Pete Quaife had left the band after a car accident, and was replaced by John Dalton. Quaife had returned to the group by the time the promotional film was shot.


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