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De pura sangre

De pura sangre
Genre Telenovela
Drama
Created by María Zarattini
Written by María Zarattini
Directed by José Rendón
Starring Christian Bach
Humberto Zurita
Enrique Álvarez Félix
José Antonio Ferral
Manuel Ojeda
Delia Casanova
Theme music composer Wolfgang Amadeus Mozart
Opening theme Symphony No. 29
Country of origin Mexico
Original language(s) Spanish
No. of episodes 106
Production
Executive producer(s) Ernesto Alonso
Location(s) San Miguel de Allende, Mexico
Cinematography Carlos Guerra Villareal
Running time 21-22 minutes
Production company(s) Televisa
Distributor Televisa
Release
Original network Canal de las Estrellas
Picture format Color
Original release December 9, 1985 – February 21, 1986
Chronology
Preceded by Angélica
Followed by La gloria y el infierno
Related shows La jaula de oro (1997)
Mañana es para siempre (2008)
Amor bravío (2012)

De pura sangre (English title:Of pure blood) is a Mexican telenovela produced by Ernesto Alonso for Televisa in 1985. Its original story of María Zarattini and directed by José Rendón.

Christian Bach and Humberto Zurita starred as protagonists, while Enrique Álvarez Félix, Manuel Ojeda and Víctor Junco starred as antagonists.

"The Best Telenovela of the Year" (Premios TVyNovelas 1986)

In the "San Joaquin" ranch, located in the village of San Miguel Allende, millionaire dies Solis Don Alberto Duarte, owner of a large fortune and a prosperous farm where horses are bred thoroughbred. Its closest relative is his niece, Florence, who will marry his ambitious promises, Leonardo. This is the promise very happy thinking that his future wife will own a fortune, but, to his horror, Florencia will inherit only a small part of the money; the rest of the fortune of Don Alberto and the estate will pass into the hands of a stranger from Madrid, Alberto Salerno.

Homero,uncle of Leonardo interested as he performs plans for Alberto is arrested for drug trafficking on the way to Mexico. Meanwhile, Leonardo married Florencia and encouraged to contest the will due to the absence of the primary heir, and so she becomes mistress of everything but name only. However, almost a year later, Alberto escapes from prison during a fire and heads to San Miguel Allende with the idea of revenge in mind.

His prime suspect is obviously Florencia, for she knew he was on his way and also had reason to remove it. Alberto, who was police, begins his investigation. The name of Marcos gets, and gets a job as a laborer on the farm that is technically theirs. Florencia, trapped in a marriage that has not been consummated, is attracted to the new worker.


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