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De La Soul Is Dead

De La Soul Is Dead
De La Soul is Dead album cover.jpg
Studio album by De La Soul
Released May 13, 1991
Recorded 1990–91
Studio Calliope Studios (Brooklyn, New York)
Genre Alternative hip hop
Length 73:30
Label
Producer De La Soul, Prince Paul
De La Soul chronology
3 Feet High and Rising
(1989)
De La Soul Is Dead
(1991)
Buhloone Mindstate
(1993)
Singles from De La Soul Is Dead
  1. "A Roller Skating Jam Named "Saturdays""
    Released: March 5, 1991
  2. "Ring Ring Ring (Ha Ha Hey)"
    Released: May 27, 1991
  3. "Millie Pulled a Pistol on Santa"/"Keepin' the Faith"
    Released: 1991
Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars
Chicago Tribune 3/4 stars
Christgau's Consumer Guide (3-star Honorable Mention)
Entertainment Weekly C+
Los Angeles Times 3/5 stars
Q 4/5 stars
Rolling Stone 4/5 stars
The Rolling Stone Album Guide 4.5/5 stars
The Source 5/5
Spin Alternative Record Guide 7/10

De La Soul Is Dead is De La Soul's second full-length album, which was released on May 13, 1991. The album was produced by Prince Paul, whose work on 3 Feet High and Rising was highly praised by music critics. The album was one of the first to receive a five-mic rating in the Hip hop magazine The Source. The album was also selected as one of The Source's 100 Best Rap Albums in 1998. The album's cover refers to the death of the "D.A.I.S.Y." (Da Inner Sound, Y'all) age, or a distancing from several cultures including hippies and the mainstream hip-hop. It is considered among many as one of the best albums of the 1990s. Rolling Stone ranked the album at #87 on its list, and Pitchfork Media ranked it at #63.

De La Soul's first album, 3 Feet High and Rising, is widely regarded in the hip-hop community as a classic, leaving this, the follow-up, something of a poisoned chalice. The album's title is in reaction to the group being labeled hippies following its debut release. The album cover, a broken pot of daisies, signals the end of the D.A.I.S.Y. Age. In an attempt to shake this label off, De La Soul's second album is significantly edgier than its first release. Despite the fact that it clearly did not want to be labeled as hippies, the group also did not want to be labeled hardcore. The album's 13th track, "Afro Connections at a Hi-5 (In the Eyes of the Hoodlum)," is an ironic attack directed at the emerging gangsta movement of the early 1990s.

The album features a series of separate, ongoing skits. The intro to the album features Jeff, a teenaged character who was not played by Chi Ali as often thought, who was introduced in the B-sides to "Eye Know" and "Me Myself and I": "Brain Washed Follower," "The Mack Daddy on the Left," and the rare "Double Huey Skit" (all are featured on the Limited Edition Bonus CD of the 2001 3 Feet High and Rising remaster). In a parody of old children's book-and-record read-along sets, Jeff finds a cassette tape copy of a De La Soul album in the garbage. Bullies appear, beat up Jeff, and steal the tape. Ensuing skits feature these bullies harshly criticizing the songs on the album. Mista Lawnge of Black Sheep provides the voice of the lead antagonist, while P.A. Pasemaster Mase voices the other bully who gets ridiculed and abused by Lawnge for his admiration of the album. Throughout the skits, the sound of the signal that lets the reader know that it's time to turn the page is heard. In the end, they throw the tape back in the trash, exclaiming, "De La Soul is dead." The album also introduces a fictional radio station called WRMS that plays nothing but De La Soul music.


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