De-Lovely
| De-Lovely | |
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Theatrical release poster
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| Directed by | Irwin Winkler |
| Produced by | Irwin Winkler Charles Winkler Rob Cowan |
| Written by | Jay Cocks |
| Starring |
Kevin Kline Ashley Judd Jonathan Pryce Kevin McNally Sandra Nelson Allan Corduner Peter Polycarpou |
| Music by | Cole Porter |
| Cinematography | Tony Pierce-Roberts |
| Edited by | Julie Monroe |
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Production
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| Distributed by | Metro-Goldwyn-Mayer |
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Release date
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Running time
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125 minutes |
| Country | United States |
| Language | English |
| Budget | $15 million |
| Box office | $18,396,382 |
De-Lovely is a 2004 musical biopic directed by Irwin Winkler. The screenplay by Jay Cocks is based on the life and career of Cole Porter, from his first meeting with Linda Lee Thomas until his death. It is the second biopic about the composer, following Night and Day.
As he is about to die, Porter's life flashes before him in the form of a musical production staged by the archangel Gabriel in the Indiana theater where the composer first performed on stage.
He immediately calls to mind the start of his story - the night he met his wife, Linda Lee Thomas - Paris' latest divorcee and stunning beauty. From the start, they "click" and become a devoted couple. Linda is well aware of Cole's gay identity and activities; her "ex" was the same but violent with her. Cole is completely different, she declares on their wedding day - he loves and adores her and shows it, so she tolerates his dalliances. Her love for and devotion to him are strong enough for her to overlook his romantic flings outside their marriage. With Linda his fun with music turns into a top international career. Their lavish lifestyle is enviable worldwide. At film's end he tells her the songs were all about her - "not all" she corrects - but enough of them. The leaders in music praise his work and his amazing shows begin. Linda begins a tradition for his show opening nights - a Cartier cigarette case custom designed and engraved to commemorate each show, but almost misses one of his openings herself due to miscarriage and they remain childless.
To cheer Linda, the couple move the showbiz, by invitation, to Hollywood. Great excitement, a new extravagant home, but trouble: his flings get too overt and indiscreet and it creates tension. Cole is photographed in an amorous embrace with another man in a public restroom of a gay nightclub, and both he and Linda are blackmailed into paying a heavy settlement to suppress publication of the pictures. When he shrugs off the blackmail, she finally goes to Paris, leaving him bereft.
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