The Blue Light | |
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Directed by | Leni Riefenstahl |
Produced by | Leni Riefenstahl Harry R. Sokal |
Written by |
Béla Balázs Carl Mayer (uncredited) |
Starring | Leni Riefenstahl Beni Fuehrer Max Holzboer Mathias Wieman Franz Maldacea |
Music by | Dr. Giuseppe Becce |
Cinematography |
Hans Schneeberger Walter Riml |
Edited by | Leni Riefenstahl |
Release date
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Running time
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86 minutes |
Country | Germany |
Language | German |
The Blue Light (German: Das blaue Licht) is a black-and-white 1932 film written and directed by Leni Riefenstahl and Béla Balázs, with uncredited scripting by Carl Mayer. In Riefenstahl's film version, the witch, Junta, played by Riefenstahl, is intended to be a sympathetic character. Filming took place in the Brenta Dolomites, in Ticino, Switzerland, and Sarntal, Italy.
A young woman, Junta (Riefenstahl), lives apart from her village and, for her solitude and strangeness, is considered to be a witch; when she comes to the village for one reason or another, the townsfolk chase her away. They feel that she may in some way be responsible for the deaths of several young men of the village, who have felt compelled, one by one, to climb the local mountain (and fall to their deaths) on nights when the moon is full.
Junta lives largely in solitude (except for the company of a young shepherd boy) in the tranquility of the mountains surrounding the village. She plays in the hills and woodlands, as a naive, free spirit. She is simple and innocent, but also seems something of a mystic. She loves to climb and clamber over the steep, difficult faces of local mountains.
On full moon nights, a crack in a prominent local mountain admits the moon's light and illuminates a grotto filled with beautiful crystals. This place of indescribable beauty, glowing with magical blue light, is a sacred space for Junta. The glowing blue light, shining from afar, to the village below, is also what has attracted the village's young men, none of whom ever reached it before falling off the mountain's treacherous slope.
A man from the city, a painter, traveling through the village, falls in love with Junta. He follows her to the cabin she shares with the shepherd boy, and decides to stay for a while. The man speaks only German, and Junta only Italian, so their communication is fragmentary. All is pleasant and good and very chaste, until the next full moon night, when the man sees Junta climbing up the mountain. He follows her, actually reaching the beautiful grotto, and finds Junta in a state of ecstasy among the crystals.