Daniel Bernard Roumain (known by his initials, DBR) is a classically trained composer, performer, violinist, and band-leader noted for blending funk, rock, hip-hop and classical music into an energetic and experiential sonic form. DBR is of Haitian-American heritage and he attended Dillard Center for the Arts in Fort Lauderdale, Florida. He received his undergraduate degree from Vanderbilt University's Blair School of Music and earned a doctorate in musical composition from the University of Michigan. He combines his classical music roots with a multicolored spectrum of contemporary black popular music. DBR's exploration of musical rhythms and pulsing sounds is frequently peppered by cultural references. His dramatic pieces range from orchestral scores and energetic chamber works to rock songs and electronica. He recently contributed a chapter to Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller a.k.a. DJ Spooky.
DBR is the father of Zachary Daniel Roumain.
As a composer, DBR has collaborated with an array of orchestras and chamber ensembles; the orchestras of Dallas, Des Moines, Memphis, San Antonio, St. Louis, and most recently the Chicago Sinfonietta, the Brooklyn Philharmonic, the North Dutch Orchestra, and the Stuttgart Chamber Orchestra have performed or commissioned his works, and Bill T. Jones and the Orchestra of St. Luke’s regularly collaborate with him---DBR is the Music Director of the Bill T. Jones/Arnie Zane Dance Company and the Assistant Composer-in-Residence of the OSL. As Artist-in-Residence at Arizona State University, DBR collaborated with Philip Glass in Seen & Heard: Philip Glass and DBR Together on Stage, Screen and in Sound. He also serves as the Artist-in-Residence of the Seattle Theater Group sponsored by Starbucks.