Dambé: The Mali Project
| Dambé: The Mali Project | |
|---|---|
| Directed by | Dearbhla Glynn |
| Produced by | Vanessa Gildea |
| Starring |
Liam Ó Maonlaí Paddy Keenan Afel Bocoum and Alkibar Toumani Diabaté Ali Farka Touré Sally'Ag Wantifout Tartit Tinariwen |
| Music by |
Liam Ó Maonlaí Paddy Keenan Afel Bocoum and Alkibar Toumani Diabaté Ali Farka Touré Sally'Ag Wantifout Tartit Tinariwen |
| Cinematography | Paddy Jordan Dearbhla Glynn |
| Edited by | Jim Bruce |
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Release date
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Running time
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94 minutes |
| Country | Ireland |
| Language | English French Irish |
Dambé: The Mali Project is a documentary film directed by Dearbhla Glynn (Dublin to Gaza), and produced by Vanessa Gildea. The film documents Irish musicians Liam Ó Maonlaí and Paddy Keenan embarking on a musical adventure to the Heart of Africa; Mali. Travelling over 3,000 miles they meet and collaborate with everyone from musicians (Afel Bocoum, Toumani Diabaté) to Nomadic Herders, culminating in a unique performance at the world's most remote musical festival; The ‘Festival au Désert’. The film premiered on 16 February 2008, at the 2008 Jameson Dublin International Film Festival. The film was described as "Engrossing, visually rich and surprisingly moving" by Paul Whitington in the Irish Independent, and "A unique work, which is well-told and unexpectedly moving in parts" by Steve Cummins of RTÉ.
The film follows Irish musicians Irish musicians Liam Ó Maonlaí (The Hothouse Flowers) and Paddy Keenan (Uilleann pipes player from The Bothy Band), who was raised in the traveller community, on a journey covering thousands of miles from Bamako in the south to Timbuktu, from where they enter the Sahara.
Their journey takes them along the river Niger, stopping in villages and river towns such as Mopti and Djenné, playing instruments such as the harp, bodhrán, whistles and Uilleann pipes with local musicians including Afel Bocoum, Toumani Diabaté, Tinariwen, and Tartit. The film highlights the many similarities between Malian and Irish music, including circular repetitive rhythms, similar instruments (i.e. the Kora and the harp, the gourd and the bodhrán) and a similar style of singing (Griot & Sean Nós).
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