Dalit literature is literature written by the Dalits, that is those who are oppressed by the Indian caste system. Dalit literature forms an important and distinct part of Indian literature. Dalit literature emerged in the 1960s, starting with the Marathi language, and soon appeared in Hindi, Kannada, Telugu, Bangla and Tamil languages, through narratives such as poems, short stories, and, most, autobiographies, which stood out due to their stark portrayal of reality and the Dalit political scene.
Dalit literature denounced as petty and false the then prevailing portrayal of life by the Sadashiv Pethi literature which lacked mention of the abject poverty-stricken lifestyle of the Dalits and the utter oppression the Dalits faced, at that time, from the higher castes. It is often compared with African-American literature especially in its depiction of issues of racial segregation and injustice, as seen in slave narratives.
One of the first Dalit writers was Madara Chennaiah, an 11th-century cobbler-saint who lived during the reign of Western Chalukyas and who is also regarded by some scholars as the "father of Vachana poetry". Another poet who finds mention is Dohara Kakkaiah, a Dalit by birth, whose six confessional poems survive.
In 1958, the term "Dalit literature" was used at the first conference of Maharashtra Dalit Sahitya Sangha (Maharashtra Dalit Literature Society) in Mumbai Baburao Bagul (1930–2008) wrote in Marathi. His first collection of stories, Jevha Mi Jat Chorali (English When I had Concealed My Caste), published in 1963, depicted a cruel society and thus brought in new momentum to Dalit literature in Marathi; today it is seen by many critics as an epic portraying lives of the Dalits, and was later made into a film by actor-director Vinay Apte. Gradually with other writers like, Namdeo Dhasal (who founded Dalit Panther), these Dalit writings paved way for the strengthening of Dalit movement.