Daisy | ||||
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Studio album by Brand New | ||||
Released | September 22, 2009 | |||
Recorded | 2008–09 | |||
Studio | Sapone Studios, Bethpage, New York | |||
Genre | Alternative rock, post-hardcore, noise rock, emo | |||
Length | 40:47 | |||
Label | Interscope, DGC, Procrastinate! Music Traitors | |||
Producer | Mike Sapone and Brand New | |||
Brand New chronology | ||||
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Singles from Daisy | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AbsolutePunk | 9/10 |
AllMusic | |
Alternative Press | |
Entertainment Weekly | B |
Kerrang! | |
NME | 9/10 |
Punknews.org | |
Rock Sound | 9/10 |
Rolling Stone | |
Spin | 8/10 |
Daisy is the fourth studio album by American alternative rock band Brand New, released September 22, 2009 on Interscope. Daisy was co-produced by both the band and their longtime producer Mike Sapone. Brand New recorded the album in Sapone's studio in Bethpage, New York between 2008 and 2009. The band looked to channel their live performances, in order to produce the raw and often chaotic sound of the album.
Daisy received mostly positive reviews from critics, who praised the band's continued progression, while fans were somewhat more divided, with drummer Brian Lane believing they either seem to love it or hate it. Guitarist Vincent Accardi had a larger role in writing the albums lyrics, sharing the responsibility with Jesse Lacey. The album leaked three weeks prior to its release, while the song "At the Bottom" was the only single released from the album.
With writing and recording commencing almost immediately after finishing touring, the band were inspired to capture the energy of their live performances. Despite having previously received acclaim for redefining their sound record-to-record, the band felt little pressure to repeat this, Brian Lane simple stated that as with previous recording sessions, the band had become bored of performing their older material, and would naturally look to write and record songs that were different. Guitarist Vincent Accardi commented that "after The Devil and God, the structures of songs were a bit more complex and things were a little bit delicate. I think we all just had a great urge to try to write simple, loud rock songs and just get the point across immediately".
Jesse Lacey commented that being signed to major label Interscope also shaped the sessions; "we thought it‘d be more interesting to put a very un-commercial record out on a very commercial label". Prior to recording, Accardi had been working on material with Sapone. After his bandmates positively received some of the tracks he had been working on, he gained the confidence to show them more and ultimately take a larger role in writing the albums lyrics.
With previous album sessions, the band had always looked to maximise their labels resources, working with different producers and in expensive studios - but had always ended up coming back to Sapone. It was decided early on by the band that they would work with Sapone, using his studio. This would also allow the band to remain local to their homes while recording, and also allow them to spend their advance from the label on general living costs, as opposed to production and studio costs.