Crown of Phantoms
| Crown of Phantoms | ||||
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| Studio album by Chimaira | ||||
| Released | July 30, 2013 | |||
| Genre | Groove metal, metalcore | |||
| Length | 44:23 | |||
| Label | E1 Music | |||
| Producer | Ben Schigel | |||
| Chimaira chronology | ||||
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| Singles from Crown of Phantoms | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |    |
| Revolver | 3/5 |
Crown of Phantoms is the seventh and final studio album by American metal band Chimaira. The album was released on July 30, 2013, via record label E1 Music. It is the first and only Chimaira album to feature Austin D'Amond, Jeremy Creamer, Sean Zatorsky, Emil Werstler, and Matt Szlachta, who all joined the band during 2011 and 2012 and left the band in September 2014.
On April 18, 2013, Chimaira announced their seventh studio album, Crown of Phantoms, along with a release date of July 30, 2013. The band also announced an Indiegogo crowdfunding campaign for the release of their album. Contributions for the campaign would fund a Fan Edition CD/DVD version of album which included additional tracks, a documentary, and other exclusive features. The campaign was successfully funded on June 2, 2013. On June 4, 2013, the band revealed the album's track listing and cover artwork.
On May 14, 2013, Chimaira released the album's first single, "All That's Left Is Blood", along with an accompanying music video. A second single, "No Mercy", and music video was released on June 18, 2013. Album reached position 52 on the Billboard 200 charts on its first week of release, selling around 7,400 copies and 1,800 on the second week. This was improvement from the previous album's debut at No. 54.
"Crown of Phantoms" was into the "Top Fifteen Metal Albums of 2013" according to Metalsucks.net.
Crown Of Phantoms is the culmination of three years of going through tons of changes, harsh realities but also excitement. It’s something brand new and when you put all those things together you get Crown Of Phantoms as a result. These are exciting times for the band and it’s the polar opposite of where I was with the band two years ago.
The album was mastered by Dan Millice to a high compressed dynamic range of only 4 or 5 dB, and using limiting to reach peak RMS amplitudes of 0.00 or -0.01 dB per song (excluding instrumental). Such dynamic ranges are considered very low. This is exemplary of the loudness war and causes audible distortions in the music.
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