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Crimson

Crimson
 
About these coordinates     Color coordinates
Hex triplet #DC143C
sRGBB  (rgb) (220, 20, 60)
CMYKH   (c, m, y, k) (0, 100, 100, 40)
HSV       (h, s, v) (348°, 91%, 86%)
Source

HTML/CSS

Crimson
#DC143C

B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Electric Crimson
 
About these coordinates     Color coordinates
Hex triplet #FF003F
sRGBB  (rgb) (255, 0, 63)
CMYKH   (c, m, y, k) (0, 100, 75, 0)
HSV       (h, s, v) (345°, 100%, 100%)
Source [Unsourced]
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Pink
 
About these coordinates     Color coordinates
Hex triplet #FFC0CB
sRGBB  (rgb) (255, 192, 203)
HSV       (h, s, v) (350°, 100%, 88%)
Source X11 color names
HTML/CSS
B: Normalized to [0–255] (byte)
Baker-Miller Pink
 
About these coordinates     Color coordinates
Hex triplet #FF91AF
sRGBB  (rgb) (255, 145, 175)
CMYKH   (c, m, y, k) (0, 43, 31, 0)
HSV       (h, s, v) (344°, 43%, 100%)
Source Internet
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Fandango Pink
 
About these coordinates     Color coordinates
Hex triplet #DE5285
sRGBB  (rgb) (222, 82, 133)
CMYKH   (c, m, y, k) (0, 63, 40, 13)
HSV       (h, s, v) (342°, 63%, 87%)
Source Pantone TPX
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Radical Red
 
About these coordinates     Color coordinates
Hex triplet #FF355E
sRGBB  (rgb) (255, 53, 94)
CMYKH   (c, m, y, k) (0, 79, 63, 0)
HSV       (h, s, v) (348°, 79%, 100%)
Source Crayola
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Electric Crimson
 
About these coordinates     Color coordinates
Hex triplet #FF003F
sRGBB  (rgb) (255, 0, 63)
CMYKH   (c, m, y, k) (0, 100, 75, 0)
HSV       (h, s, v) (345°, 100%, 100%)
Source Maerz and Paul
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Folly
 
About these coordinates     Color coordinates
Hex triplet #FF004F
sRGBB  (rgb) (255, 0, 79)
CMYKH   (c, m, y, k) (0, 100, 69, 0)
HSV       (h, s, v) (341°, 100%, 100%)
Source Maerz and Paul
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Alizarin crimson
 
About these coordinates     Color coordinates
Hex triplet #E32636
sRGBB  (rgb) (227, 38, 54)
CMYKH   (c, m, y, k) (0, 83, 76, 11)
HSV       (h, s, v) (-5°, 83%, 89%)
Source Universalium
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
Crimson (G&S)
 
About these coordinates     Color coordinates
Hex triplet #E51A4C
sRGBB  (rgb) (229, 26, 76)
CMYKH   (c, m, y, k) (0, 95, 55, 0)
HSV       (h, s, v) (345°, 89%, 90%)
Source Gallego and Sanz
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)

HTML/CSS

Crimson
#DC143C

Crimson is a strong, red color, inclining to purple. It originally meant the color of the kermes dye produced from a scale insect, Kermes vermilio, but the name is now sometimes also used as a generic term for slightly bluish-red colors that are between black and rose.

Crimson (NR4) is produced using the dried bodies of the kermes insect, which were gathered commercially in Mediterranean countries, where they live on the kermes oak, and sold throughout Europe. Kermes dyes have been found in burial wrappings in Anglo-Scandinavian York. They fell out of use with the introduction of cochineal, because although the dyes were comparable in quality and color intensity it needed ten to twelve times as much kermes to produce the same effect as cochineal.

Carmine is the name given to the dye made from the dried bodies of the female cochineal, although the name crimson is sometimes applied to these dyes too. Cochineal appears to have been brought to Europe during the conquest of Mexico by the Spaniard Hernán Cortés, and the name 'carmine' is derived from the French carmin. It was first described by Mathioli in 1549. The pigment is also called cochineal after the insect from which it is made.

Alizarin (PR83) is a pigment that was first synthesized in 1868 by the German chemists Carl Gräbe and Carl Liebermann and replaced the natural pigment madder lake. Alizarin crimson is a dye bonded onto alum which is then used as a pigment and mixed with ochre, sienna and umber. It is not totally colorfast.


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Wikipedia

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