Crimes of the Heart (film)
| Crimes of the Heart | |
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Theatrical release poster
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| Directed by | Bruce Beresford |
| Produced by | Freddie Fields |
| Screenplay by | Beth Henley |
| Based on |
Crimes of the Heart by Beth Henley |
| Starring |
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| Music by | Georges Delerue |
| Cinematography | Dante Spinotti |
| Edited by | Anne Goursaud |
| Distributed by | De Laurentiis Entertainment Group |
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Release date
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Running time
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105 minutes |
| Country | United States |
| Language | English |
| Budget | $20 million |
| Box office | $22,905,522 |
Crimes of the Heart is a 1986 American black comedy, southern gothic film directed by Bruce Beresford. The screenplay by Beth Henley is adapted from her Pulitzer Prize-winning play of the same name.
The film tells the story of the three MaGrath sisters, Babe, Lenny, and Meg, who reunite in their family home in Mississippi to regroup and settle their past. Each sister is forced to face the consequences of the "crimes of the heart" she has committed.
The story focuses on the Magrath sisters—Lenny, Meg, and Babe—who reunite at the family home in Hazlehurst, Mississippi, after Babe shoots her abusive husband. The three were raised by Old Granddaddy after their mother hanged herself and the family cat and have been eccentric ever since. Lenny is a wallflower who bemoans her shriveled ovary. Egocentric Meg is a singer whose Hollywood career ended abruptly when she suffered a nervous breakdown. Unruly and impulsive Babe shocks her sisters with stories about her affair with a teenage African American boy. Past resentments bubble to the surface as the women are forced to deal with assorted relatives and previous relationships while coping with the latest incident that has disrupted their dysfunctional lives.
The film was shot in various North Carolina locations, including Caswell Beach, Southport, Wilmington, and Winnabow.
The film opened on 246 screens in the US and earned $1,402,921 on its opening weekend. It eventually grossed $22,905,522 in the United States and Canada.
Crimes of the Heart received positive review among critics. Roger Ebert of the Chicago Sun-Times called the film "that most delicate of undertakings: a comedy about serious matters. It exists somewhere between parody and melodrama, between the tragic and the goofy. There are moments when the movie doesn't seem to know where it's going, but for once that's a good thing because the uncertainty almost always ends with some kind of a delightful, weird surprise ... The underlying tone ... is a deep, abiding comic affection, a love for these characters who survive in the middle of a thicket of Southern Gothic clichés and archetypes."
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