Confessional poet

Confessional poetry or "Confessionalism" is a style of poetry that emerged in the United States during the 1950s. It has been described as poetry "of the personal", focusing on extreme moments of individual experience, the psyche, and personal trauma, including previously and occasionally still taboo matters such as mental illness, sexuality, and suicide, often set in relation to broader social themes. It is sometimes also classified as Postmodernism.

The school of "Confessional poetry" was associated with several poets who redefined American poetry in the 1950s and 1960s, including Robert Lowell, Sylvia Plath, John Berryman, Anne Sexton, Allen Ginsberg, and W. D. Snodgrass.

In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession", Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went “beyond customary bounds of reticence or personal embarrassment”. Rosenthal notes that in earlier tendencies towards the confessional there was typically a "mask" that hid the poet's "actual face", and states that “Lowell removes the mask. His speaker is unequivocally himself, and it is hard not to think of Life Studies as a series of personal confidences, rather shameful, that one is honor-bound not to reveal”. In a review of the book in The Kenyon Review, John Thompson wrote, "For these poems, the question of propriety no longer exists. They have made a conquest: what they have won is a major expansion of the territory of poetry."

There were however clear moves towards the "confessional" mode before the publication of Life Studies. Delmore Schwartz's confessional long poem Genesis had been published in 1943; and John Berryman had written a sonnet sequence in 1947 about an adulterous affair he'd had with a woman named Chris while he was married to his first wife, Eileen (however, since publishing the sonnets would have revealed the affair to his wife, Berryman didn't actually publish the sequence, titled Berryman's Sonnets, until 1967, after he divorced from his first wife). Snodgrass' Heart's Needle, in which he writes about the aftermath of his divorce, also preceded Life Studies.

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