Combat of Love and Chastity

The Battle Between Love and Chastity
Artist	Perugino
Year	1503
Medium	Tempera on canvas
Dimensions	160 cm × 191 cm (63 in × 75 in)
Location	Louvre, Paris

The Battle Between Love and Chastity is a painting by the Italian Renaissance artist Pietro Perugino, currently housed in the Musée du Louvre, in Paris, France. It was originally commissioned for the studiolo (cabinet) of Isabella d'Este, Marchesa of Mantua, in the Castello di San Giorgio.

The painting was the third commissioned by Isabella d'Este for her studiolo, after the two canvasses by Andrea Mantegna, the Parnassus and the Triumph of the Virtues. The paintings of the Coronation of Isabella d'Este and Reign of Comus would be completed by Lorenzo Costa.

The subject was suggested by Isabella's court poet, Paride da Ceresara, documented by the correspondence between Isabella and Perugino, who was then active in Florence. The notary contract included all the details about the literary theme, as well as a drawing which the work had to be based on. For example, when Perugino painted a naked Venus, instead than dressed, the marchesa protested vigorously.

In 1505, when the painting was delivered, the marchesa was not entirely satisfied. She declared that she preferred it would have been painted in oil, instead of the tempera used under her directives in order to follow Mantegna's style. Perugino, who probably was not at ease with the small format of the work, received 100 ducats for the work.

After the extinction of the Gonzaga dynasty, the painting was gifted by Charles I of Nevers to cardinal Richelieu, and was thus moved to Paris. Later it was acquired by the state and was added to the collection of the Louvre.

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