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Cold Sweat

"Cold Sweat - Part 1"
ColdSweatAlbum.jpg
Cover of the Cold Sweat album
Single by James Brown
from the album Cold Sweat
B-side "Cold Sweat - Part 2"
Released July 1967 (1967-07)
Format 7" (stereo)
Recorded May 1967, King Studios, Cincinnati, Ohio
Genre Funk
Length
  • 2:55 (Part 1)
  • 3:55 (Part 2)
  • 7:30 (album version)
Label King
6110
Writer(s)
Producer(s) James Brown
James Brown charting singles chronology
"Let Yourself Go"
(1967)
"Cold Sweat - Part 1"
(1967)
"Get It Together (Part 1)"
(1967)

"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a #1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, over 7 minutes long, was included on an album of the same name.

Brown's lyrics describe how his woman's affections make him "break out in a cold sweat."

"Cold Sweat" developed from an earlier James Brown song, "I Don't Care", recorded in 1962 and first released on the album Tour the U.S.A.. According to Brown, "it was a slow, bluesy tune then. It was good that way, but I was really getting into my funk bag now, and it became an almost completely different tune, except for the lyrics." Ellis recalled in an interview that

Building on the innovations of Brown's earlier songs "Out of Sight" and "Papa's Got a Brand New Bag", "Cold Sweat" was a watershed event in the evolution of funk music. While those songs were both based on a conventional twelve bar blues chord progression, "Cold Sweat" has only one definite chord change, a move to the subtonic at the bridge. As in the earlier songs, all the band's instruments (horns, guitars, etc.) are used percussively in "Cold Sweat", and overwhelming emphasis is put on the first beat of each measure ("on the one"). The main drum part is a two-bar pattern with a snare hit on the two and four beats (a standard 4/4 rock pattern) with a simple variation: the four beat hit in the first measure is delayed by one eighth note. This snare pattern contributed greatly to the funky feel of the arrangement. It was copied, often with embellishments, in later James Brown songs and numerous songs by other musical artists.


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