Clara Wieck

Clara Schumann
Portrait by Franz von Lenbach, 1878
Born	Clara Josephine Wieck (1819-09-13)13 September 1819 Leipzig
Died	20 May 1896(1896-05-20) (aged 76) Frankfurt, German Empire
Cause of death	Stroke
Nationality	German
Occupation	Pianist, composer
Spouse(s)	Robert Schumann (m. 1840; d. 1856)
Children	Eight

Clara Schumann (née Clara Josephine Wieck; 13 September 1819 – 20 May 1896) was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms. She later premiered some other pieces by Brahms, notably the Variations and Fugue on a Theme by Handel.

Clara Josephine Wieck was born in Leipzig on 13 September 1819 to Friedrich Wieck and Marianne Wieck (née Tromlitz). Marianne Tromlitz was a famous singer in Leipzig at the time and was singing solos on a weekly basis at the well-known Gewandhaus in Leipzig. The differences between her parents were irreconcilable, in large part due to her father's unyielding nature. After an affair between Clara's mother and Adolph Bargiel, her father's friend, the Wiecks divorced in 1824 and Marianne married Bargiel. Five-year-old Clara remained with her father.

From an early age, Clara's career and life was planned down to the smallest detail by her father. She daily received a one-hour lesson (in piano, violin, singing, theory, harmony, composition, and counterpoint) and two hours of practice, using the teaching methods he had developed on his own. In March 1828, at the age of eight, the young Clara Wieck performed at the Leipzig home of Dr. Ernst Carus, director of the mental hospital at Colditz Castle. There she met another gifted young pianist who had been invited to the musical evening, named Robert Schumann, who was nine years older. Schumann admired Clara's playing so much that he asked permission from his mother to discontinue his law studies, which had never interested him much, and take music lessons with Clara's father. While taking lessons, he took rooms in the Wieck household, staying about a year. He would sometimes dress up as a ghost and scare Clara, and this created a bond.