Cinema of Austria | |
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The Gartenbaukino in Vienna during the Vienna International Film Festival 2010
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Number of screens | 577 (2011) |
• Per capita | 7.6 per 100,000 (2011) |
Main distributors | Uip 17.6% Warner Bros. 16.4% Constantin 14.4% |
Produced feature films (2011) | |
Fictional | 35 |
Animated | - |
Documentary | 19 |
Number of admissions (2011) | |
Total | 15,752,844 |
• Per capita | 1.98 (2012) |
Gross box office (2011) | |
Total | €124 million |
Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger.
Between the two World Wars, directors like E. W. Emo and Henry Koster - the latter of whom had emigrated from Austria, provided examples of Austrian film comedies. At the same time, Willi Forst and Walter Reisch founded the Wiener Film genre. After Austria had become a part of Nazi Germany in 1938, Vienna's Wien-Film production company became an important studio for seemingly non-political productions. In the aftermath of World War II, Austria's film production soon restarted, partially supported by the Allied Forces. Veteran and new directors such as Ernst Marischka, Franz Antel, Geza von Cziffra, Geza von Bolvary and Walter Kolm-Veltee revised the comedy, provincial Heimatfilm, and biopic traditions, and began a new genre of the opulent imperial epic (e.g. Marischka's Sissi films and Antel's imperial era musicals) which rivaled Hollywood entertainment at the international box office.