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Chicago soul


Chicago soul is a style of soul music that arose during the 1960s in Chicago. Along with Detroit, the home of Motown, and Memphis, with its hard-edged, gritty performers (see Memphis soul), Chicago and the Chicago soul style helped spur the album-oriented soul revolution of the early 1970s.

The sound of Chicago soul, like southern soul with its rich influence of black gospel music, also exhibited an unmistakable gospel sound, but was somewhat lighter and more delicate in its approach. Chicago vocal groups tended to feature laid-back sweet harmonies, while solo artists exhibited a highly melodic and somewhat pop approach to their songs.

Accompaniment usually featured highly orchestrated arrangements, with horns and strings, by such notable arrangers as Johnny Pate (who largely worked with horns) and Riley Hampton (who specialized in strings). This kind of soul music is sometimes called “soft soul”, to distinguish it from the more harsh and gospelly “hard soul” style.

A variety of labels in the city during the 1960s and 1970s contributed to the Chicago soul sound, most notably Vee-Jay, Constellation Records, Chess Records, Mercury Records, OKeh, ABC-Paramount, One-derful, Brunswick and its Dakar Records subsidiary, and Curtis Mayfield's Curtom label.

Vee-Jay Records was Chicago's pioneer soul label. In 1958 it produced the first recognized soul hit in Chicago, Jerry Butler and The Impressions' "For Your Precious Love." The company, before it went bankrupt in 1966, produced under A&R director Calvin Carter, many notable soul acts in the Chicago soft soul idiom, notably Butler (best known for “He Will Break Your Heart”), Betty Everett ("The Shoop Shoop Song (It's in His Kiss)"), Dee Clark ("Raindrops"), and Gene Chandler ("Duke of Earl"). Vee Jay was also the first American record label to sign and record The Beatles in the U.S in 1962. The label released several singles but were unsuccessful in scoring a major hit. In 1964 Vee-Jay released The Beatles' first U.S. album titled Introducing... The Beatles. After having management issues at the label and a shortage of funds, the label could not promote the record and give it the push that was needed. So the label was forced to release the group.


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